It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 9, 2018, 02:17 PM
http://manhattaneditworkshop.blogspot.com/2018/05/...
We sadly just learned of the passing of legendary Editor Anne V. Coates, ACE. We had the pleasure of meeting Anne when she joined us for “Sight, Sound & Story” 2016 with moderator/writer Bobbie O’Steen. Anne was easily one of our most memorable panelists that we have ever had; not only for her extremely long and esteemed career, but because of her outspoken, joyful, and charming personality. She will be missed!Below are some highlights of Anne talking about her work. Our thoughts and p...
May 9, 2018, 02:16 PM
http://www.digitalrebellion.com/blog/posts/kollabo...
Kollaborate 2.7 is a major update to our cloud workflow platform for sharing files and working more effectively with your team. Upload Workflows We've expanded our Workflows feature to include Upload Workflows. Upload Workflows are a new type of Workflow that allow you to set certain actions to occur when uploading a new file. You can choose whether to convert the file to a playable format, add LUTs and watermarks, and burn in data like timecode or the project name over the frame. This wo...
May 9, 2018, 09:30 AM
http://postperspective.com/pacific-rim-uprisings-b...
By Jennifer Walden Universal Pictures’ Pacific Rim: Uprising is a big action film, with monsters and mechs that are bigger than skyscrapers. When dealing with subject matter on this grand of a scale, there’s no better way to experience it than on a 50-foot screen with a seat-shaking sound system. Continue reading → May 9, 2018 The post Pacific Rim: Uprising‘s big sound appeared first on Randi Altman's postPerspective.
May 9, 2018, 09:29 AM
http://www.artofvfx.com/avengers-infinity-war-kell...
In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.
May 9, 2018, 04:46 AM
https://www.provideocoalition.com/the-truth-about-...
We’ve all seen them: green screen plugin videos where the demo artist clicks a button and all the green disappears, replaced by a perfectly composited background. But in the real world where most of us live, pulling a green screen is ugly, sweaty work.
May 8, 2018, 10:17 AM
http://www.fcp.co/final-cut-pro/articles/2072-an-i...
We have done very little HDR to date at FCP.co towers, well to be honest, none. However, we do know somebody who has edited in HDR in Final Cut Pro X. Marc Bach gets us up to speed quickly with his recommendations about grading within the new extended dynamic range.
May 8, 2018, 10:17 AM
http://designingsound.org/2018/05/08/avosound-10-e...
Guido Helbling from Avosound has 10 more tips for Soundminer that are aimed at experienced users and beginners alike. From setting VST render tails to renaming databases, these tips are just as easy as the original 10 tips for Soundminer and will help you speed up your workflow in no time!
May 8, 2018, 04:14 AM
http://videoandfilmmaker.com/wp/index.php/news/che...
Wonder no more about how you could recreate the effects from the biggest Hollywood movies, a new YouTube series is making it a reality.
May 7, 2018, 03:02 PM
http://postperspective.com/behind-title-sims-super...
Name: David McCallum Company: Sim International — Sim Post (Sound) in Toronto Can you describe your company? Sim provides equipment and creative services for projects in film and television. We have offices in Toronto, Los Angeles, New York City, Continue reading → May 7, 2018 The post Behind the Title: Sim’s supervising sound editor David McCallum appeared first on Randi Altman's postPerspective.
May 7, 2018, 03:02 PM
http://www.studiodaily.com/2018/05/psyop-takes-sta...
New York-based creative studio Psyop purchased a minority stake in Golden Wolf, a five-year-old London production company specializing in 2D animation. The investment will bolster Psyop’s 3D offerings with 2D animation expertise, the company said, while allowing Golden Wolf to expand its headcount and leverage Psyop’s presence in New York and Los Angeles. In addition, […] The post Psyop Takes a Stake in 2D Animation House Golden Wolf, Consolidates NYC Operations appeared first on Stud...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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