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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A 6-Part Comprehensive Intro. to Sound and FIlmmak

November 23, 2014, 11:41 AM

http://soundworkscollection.com/news/a-6-part-comp...

Taking you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

Making sound visible through Cymatics

November 23, 2014, 11:40 AM

http://provideocoalition.com/ryoung/story/making-s...

Cymatics, the study of wave phenomena (often of material media on a vibrating substrate), was pioneered by Swiss scientist Hans Jenny (1904-1972). Though often discussed in the context of "new age" ideas, DIY techies and artists have expanded interest in the phenomena.

La SAE participa en el Festival Internacional de C

November 23, 2014, 11:40 AM

http://saeditores.org/Novedades/La-SAE-participa-e...

Al igual que en 2013, la SAE participa este año en el 29º Festival Internacional de Cine de Mar del Plata que se desarrolla entre el 22 y el 30 de noviembre. Se trata del festival más importante de la región por ser el único en Latinoamérica calificado como clase A por la Federación Internacional de Asociaciones de Productores Cinematográficos (FIAPF)...

Bryan Ballinger - Animation Insider Interview

November 23, 2014, 11:39 AM

http://www.animationinsider.com/2014/11/bryan-ball...

Associate Professor of Digital Media Arts, Freelance Illustrator, and Collector of Absurd Non-Perishable Food Items.

Happy Birthday, Terry Gilliam!

November 23, 2014, 11:39 AM

http://www.cartoonbrew.com/animators/happy-birthda...

He was born in Minneapolis, Minnesota on November 22, 1940. Perhaps better known as a director and writer of live-action films, he is also the creator of a quirky body of cut-out animation work.

Behind Visual Effects - Making Nightcrawler

November 23, 2014, 11:38 AM

http://behindvfx.com/post/103326843715/behind-vfx-...

Behind VFX ACCESS - The Making of Nightcrawler Behind VFX ACCESS – The Making of Nightcrawler (00:28:00) Behind VFX ACCESS is a video curation service for movie fans a direct access to curated...

SmartView 4K monitor: like a DreamColor monitor wi

November 22, 2014, 05:02 PM

http://provideocoalition.com/atepper/story/smartvi...

At IBC in Amsterdam, Blackmagic showed its US$1995 SmartView 4K (Ultra HD) monitor, which features built-in 3D LUTs, Teranex scaler, adjustable on screen markers, H/V delay, blue only, 12G-SDI inputs, and more. Many readers may immediately imagine that the SmartView 4K might be a direct competitor to an HP DreamColor. I conducted a short interview about some of its yet unpublished specs. Let’s see in which respects it’s like a DreamColor, and in which it isn’t.

*La Salada*, por Ana Remón (SAE)

November 22, 2014, 05:01 PM

http://saeditores.org/Novedades/La-Salada-por-Ana-...

Una síntesis personal de la edición por sus artífices.

Brian Cox creates pioneering 3D show for Mancheste

November 22, 2014, 05:00 PM

http://www.bbc.co.uk/news/entertainment-arts-30056...

TV physicist Brian Cox and the visual effects team behind the film Gravity will tell the story of the universe using cutting-edge augmented reality technology in a live show next year.

Paolo Libunao - Animation Insider Interview

November 22, 2014, 04:59 PM

http://www.animationinsider.com/2014/11/paolo-libu...

There’s “Armor Quest” a graphic novel from Rising Star Studios. Concept art for “Earth-Steel-Stone”. As for story boards, well there are those that I made for video game cinematics for Raptura Games.

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