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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

BARS 2014 / Premio EDA a “Mejor Edición”

November 3, 2014, 01:25 PM

http://www.edaeditores.org/bars-2014-premio-eda-a-...

La EDA entregará un premio a “Mejor Edición” a los nominados del 15 del Festival Buenos Aires Rojo Sangre por Competencia Internacional de Cortometrajes. El premio consistirá en una placa trofeo y consultoría de edición a cargo de Guille Gatti (EDA). La consultoría se llevará a cabo durante 4 encuentros, en los que se cubrirán aspectos narrativos […]

Villain Vignettes #31: Rasputin

November 3, 2014, 01:24 PM

http://www.rotoscopers.com/2014/10/31/villain-vign...

Happy Halloween, everyone! For the last month, we’ve been profiling a different Animated Villain every single day. Today is the last day and we hope you’ve enjoyed reading our Villain Vignettes as much as we’ve enjoyed writing them. To culminate our villainous month, we offer you an article about one of the truly great Disney Villains of all time: Rasputin.

Aja’s Io XT Used on Filmage: The Story of Descen

November 3, 2014, 10:43 AM

http://www.btlnews.com/crafts/post-production/ajas...

Filmage: The Story of Descendents/All began as a passion project for a group of creatives working at Dallas-based post house CharlieUniformTango (CUT), and quickly evolved into a full-fledged documentary production. Within four years, the film's directors Deedle LaCour and Matt Riggle, along with editors Justin Wilson and James Rayburn, had traveled the world, combining a love for old-school punk music with filmmaking skills to deliver an indie flick that recounts the history and influence ...

9 Tips for Stabilizing Handheld Footage

November 3, 2014, 10:42 AM

https://www.videoguys.com/Blog/E/9+Tips+for+Stabil...

Sometimes you just can’t shoot on a tripod. Heading to the set or into the field without a tripod? Getting beautiful handheld shots can be a difficult challenge – the recent influx of camera stabilizers and Steadicam equipment is a testament to that. Thinking out your approach to handheld shooting and taking several of the approaches listed below can significantly minimize camera shake.

How the Gone Girl post-production team helped us d

November 3, 2014, 10:42 AM

http://blogs.adobe.com/premierepro/2014/11/how-the...

I’ve been the product manager for Adobe Premiere Pro for four years and have never been more excited to work with our product teams and customers as I am now. Most of you know by now that Premiere Pro CC was used as the exclusive NLE for David Fincher’s Gone Girl, the first Hollywood feature film shot in 6K. While you may already know how Premiere Pro helped the Gone Girl team work more efficiently, you likely don’t know how us working with the Gone Girl post-production team helped us ...

Sound and Documentaries

November 3, 2014, 10:41 AM

http://designingsound.org/2014/11/documentaries/

When we start talking about sound design most people will automatically think about it in relation to action or sci-fi films; maybe horror or animation. Occasionally, you’ll find people talking about the use of sound in a drama…frequently in those cases, the idea of employing hyper reality. It’s a far more rare occasion to find people talking about the use of sound in documentary.

Two 3D LUT Sets from Look Labs

November 3, 2014, 10:41 AM

http://blog.planet5d.com/2014/11/two-3d-lut-sets-f...

If I seem to be going 3D LUT crazy lately it is for a very good reason – right now I am learning to use Resolve 11 and in the process am noticing the similarities and differences between color grading movies and enhancing the color of photographs.

BlackMagic come to Glasgow

November 3, 2014, 10:40 AM

http://www.hdwarrior.co.uk/2014/11/03/blackmagic-c...

This morning at the HUB in Glasgow’s Media Centre, Holdan alongside CVP were showing off some new Blackmagic Design kit.

5 MORE Great Sites Every Animator Should Visit

November 3, 2014, 10:40 AM

http://www.animatorisland.com/5-more-great-sites-e...

Last year we collected five outstanding animation-related websites that all animators should have on their radar, and today we’re back with another five to add to the list! Did your favorites make it into this year’s compilation?

Assimilate and Dawn of The Planet of the Apes

November 3, 2014, 05:52 AM

http://www.aotg.com/index.php?page=planet_of_the_a...

During Duck Grossberg’s 15 years in the digital cinema/media market, he has racked up a broad range of experience in several technical roles. In recent years he’s been working on-or-near set as a DIT, digital lab supervisor, and colorist (dailies and on-set) for films that include “Real Steel”, “Life of Pi”, and now “Dawn of the Planet of the Apes”.

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