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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

LG Digital Cinema 4K monitor available this week

October 29, 2014, 04:48 AM

http://www.slashgear.com/lg-digital-cinema-4k-moni...

4K isn't coming just to TVs in your living room, it will also be coming to computer monitors as well. After all, in order to have 4K content to show on those UHD TV sets, you need to have those produced on computers and machines first. But in order to work on 4K image or video content as faithfully as you can, without scaling or distortion, you will, of course, need a 4K monitor yourself. Enter the 31MU97, LG's latest foray into the 4K display market, but this time targeted squarely at content c...

How to Expose and Grade S-Log2 for the Sony A7s

October 29, 2014, 04:47 AM

http://wolfcrow.com/blog/how-to-expose-and-grade-s...

This guide covers the S-Log2 workflow as it pertains to the Sony A7s, shot in S-Gamut color mode. We will learn...

Quantum & Carbon Happy Hour in Toronto November 5t

October 28, 2014, 07:01 PM

http://www.cceditors.ca/quantum-carbon-happy-hour-...

Let’s talk about shared storage for post production and how to bring your existing Xsan into the future.   Wednesday, November 5th 6-9pm Prohibition Gastro House 696 Queen Street East (at Broadview), Toronto ON M4M 1G9 StorNext 5 StorNext® 5 is the next generation workflow storage platform providing content production, distribution, and archive with the

Interstellar: First Reactions and Tech Specs for E

October 28, 2014, 07:01 PM

http://www.studiodaily.com/2014/10/interstellar-fi...

Christopher Nolan's nearly-three-hour-long spacefaring epic Interstellar, which opens November 5 in theaters showing film and November 7 on digital screens, is one of the year's most ambitious and highly anticipated movies. Until very recently, it was also the big studio release that we … more »

Every Edit in Video Editing Could be a Transition

October 28, 2014, 07:00 PM

http://blogs.nppa.org/editfoundry/2014/10/28/every...

Every edit you make in video editing could be a transition; a cut, a dissolve, a wipe, all transitions.  A sequence could be a transition.  A pan could be a transition.  A person walking across the screen could be a transition.  Anything that advances your story and takes the viewer to another location, time, or […]

Thoughts on a Redesigned Link Media Experience in

October 28, 2014, 07:00 PM

http://www.retooled.net/?p=1595

With great power comes great responsibility. So now that Premiere Pro is receiving major press for it’s first major motion picture film, Gone Girl. It’s time to start thinking about the issues that people working in high end film and television workflows face on a daily basis. The one that I want to focus on […]

Premiere Pro Vs. FCPX Round 2/H264 Compression Upd

October 28, 2014, 07:00 PM

http://noamkroll.com/adobe-premiere-pro-vs-final-c...

A couple of weeks ago I had posted a comparison on my blog showing the quality differences between Premiere Pro & FCP X when it came to H264

Editing Your Own Films? Here Are 5 Guidelines You

October 28, 2014, 12:18 PM

http://www.premiumbeat.com/blog/editing-films-5-gu...

With such easy access to video editing apps, many indie film directors are doubling as editors on their own productions as a means to streamline their creative process, but ultimately are coming up short when it comes time to deliver a final cut. The post Editing Your Own Films? Here Are 5 Guidelines You Need To Follow appeared first on Premiumbeat.com.

Synology DS415+ NAS Review

October 28, 2014, 12:18 PM

http://www.storagereview.com/synology_ds415_nas_re...

The DS415+ is the updated mainline SOHO 4-bay from Synology that is designed for small and medium-sized businesses. It provides accelerated hardware encryption, plenty of storage capacity, and great performance. The DS415+ is equipped with enough juice to make it ideal for intensive tasks, which in turn allows the NAS to protect data without sacrificing too much performance.

Fonts in Use: CONAN

October 28, 2014, 12:17 PM

http://fontsinuse.com/uses/3154/conan-o-brien-tbs-...

“Gotham was used for the popular “I’m With Coco” posters created by Mike Mitchell during Conan O’Brien’s 2010 Tonight Show conflict. The typeface was eventually adopted for TBS’s Conan logo and other logos designed by Rob Ashe Jr.” — Fonts in Use Permalink

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