It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 22, 2016, 07:02 AM
http://www.btlnews.com/crafts/strange-days-vfx-sup...
VFX supervisor Stephane Ceretti knows a little about multiple dimensions: From the interweaving timelines of Cloud Atlas, to the “Dark World” in Thor, along with his Oscar-nominated work in Guardians of the Galaxy, he’s helped render the light fantastic, all the way back to a pair of Matrix installments while working for Euro-centered FX shop BUF. […] The post Strange Days: VFX Supe Stephane Ceretti on Digits and the Dark Dimension appeared first on Below the Line.
November 22, 2016, 06:59 AM
http://www.cgmeetup.net/home/com-hem-play-vfx-brea...
Swiss International presents Com Hem Play Vfx Breakdown.
November 22, 2016, 06:58 AM
http://www.cgmeetup.net/home/creating-a-realistic-...
In this tutorial, I’ll show you how to create a realistic ocean render inside of cinema 4d.
November 21, 2016, 01:20 PM
http://www.broadcastbeat.com/vfx-supervisors-dan-l...
Veteran supervisors are overseeing work on “Criminal Minds: Beyond Borders,” “Good Girls Revolt” and other projects. LOS ANGELES— FuseFX has added two highly experienced visual effects supervisors to its creative team in Los Angeles. Dan Levitan brings more than 80 credits as a supervisor and artist on motion picture and television projects spanning two decades. At ...
November 21, 2016, 10:49 AM
http://www.artofvfx.com/doctor-strange-tim-ledoux-...
With DOCTOR STRANGE, the team of Crafty Apes is back in the Marvel universe after their work on CAPTAIN AMERICA: CIVIL WAR and AVENGERS: AGE OF ULTRON. Crafty Apes was founded in 2011 by Chris LeDoux, Tim LeDoux and Jason Sanford.
November 20, 2016, 02:01 PM
http://www.cartoonbrew.com/vfx/ilm-made-insane-ben...
One of the most enchanting scenes in Marvel’s newest superhero film, Doctor Strange, is a chase sequence that plays out amongst a mass of twisting and bending buildings in New York City. A team of designers, previs and visual effects artists looked to M.C. Escher-like imagery and an array of fractal and Mandelbrot patterns for inspiration to help create the chase.
November 18, 2016, 05:13 PM
http://www.videoguys.com/blog/newblue-fx-updated-t...
NewBlueFX has added over 60 new improvements to their updated Titler Pro 5. If you are looking to create powerful, animated and multi-dimensional titles, this is a great option! Here are a few of the new key features in Titler Pro 5: Still Mode: Speed up your workflow by removing the need for timely caching on your Read More The post NewBlue FX Updated Titler Pro 5 for Faster and More Efficient Titling appeared first on Videoguys Blog.
November 18, 2016, 05:13 PM
https://library.creativecow.net/cow_news/zero_vfx_...
Antoine Fuqua’s The Magnificent Seven plays off the same premise as the 1960 original – a small town enlists the aid of seven unlikely outlaws, who unpack their shootin’ irons to free the residents from the oppression of a corrupt enemy force. The difference here is in the modernity of the approach: Fuqua exchanges old-school derring-do for contemporary attitude, and the shooting location of 1960s Mexico for the rugged landscapes of Santa Fe, Texas. Or so it seems.
November 18, 2016, 10:19 AM
http://www.artofvfx.com/doctor-strange-vincent-cir...
Vincent Cirelli explained to us about the work of Luma Pictures on CAPTAIN AMERICA: CIVIL WAR earlier this year. He is now talking about his work on DOCTOR STRANGE.
November 18, 2016, 06:11 AM
http://www.hollywoodreporter.com/behind-screen/jun...
Visual effects Oscar contender Disney's The Jungle Book won the feature VFX competition at the 11th annual Hollywood Professional Association Awards for postproduction, Thursday night at the Skirball Cultural Center in Los Angeles.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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