It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 23, 2014, 12:37 PM
http://finalcutargentina.blogspot.com/2014/09/film...
FilmStyles es un plugin para Final Cut Pro X que permite aplicar "estilos" para dar un aspecto más cinematográfico a nuestras imágenes. Algunos de los estilos que incluye están inspirados en éxitos de la pantalla grande.Al instalarlo se creará la categoría "FilmStyles" en Final Cut Pro, donde encontraremos quince estilos de base, que pueden ser personalizados. A diferencia de lo que sucede con otros filtros de su clase, la cantidad de controles ha sido mantenida en lo justo y nece...
September 23, 2014, 12:37 PM
http://saeditores.org/Novedades/Entrevista-a-Jorge...
A pocos días de dictar el curso Premiere Pro CC a fondo, Jorge Mochón nos cuenta en esta entrevista sobre sus comienzos en el mundo de la postproducción, su relación con la enseñanza y, especialmente, su visión sobre la evolución y futuro de los softwares de edición.
September 23, 2014, 12:36 PM
http://5thingsseries.com/adobe-anywhere/
New Web Series: 5 Things. Answering 5 Things about technology and workflows in the media creation space. Episode 1: Adobe Anywhere. What is Adobe Anywhere? How Does Adobe Anywhere work? How does Adobe Anywhere perform? How can I get Adobe Anywhere? How much does Adobe Anywhere cost?
September 23, 2014, 12:36 PM
http://designingsound.org/2014/09/sound-design-ins...
A few months ago I came across a Twitter post made by Stephan Schütze (a recent Designing Sound contributor) that continues to resonate with me (no pun intended) and I wanted to share it with anyone in the sound design community that has yet to hear these sounds.
September 23, 2014, 12:36 PM
http://www.legitreviews.com/usb-3-1-type-c-connect...
NEWARK, CA (22 September 2014) – The Video Electronics Standards Association (VESA), working in liaison with the USB 3.0 Promoter Group, today announced the publication of the DisplayPort Alternate Mode (“Alt Mode”) on USB Type-C Standard. Using the DisplayPort Alt Mode, a USB Type-C connector and cable can deliver full DisplayPort audio/video (A/V) performance, driving monitor resolutions of 4K and beyond, SuperSpeed USB (USB 3.1) data and up to 100 watts of power–over a single cable. T...
September 23, 2014, 12:35 PM
http://www.artofvfx.com/?p=9407
Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.
September 23, 2014, 12:33 PM
http://finalcutargentina.blogspot.com/2014/09/comp...
En las últimas horas ha despertado mucho interés un artículo en el que se compara la calidad de compresión lograda con ambos NLE. Como está en inglés me pareció útil traducirlo al español con la anuencia de Noam Kroll, su autor, a quien agradezco enormemente haberme permitido hacerlo.Hay una importante diferencia de calidad entre Final Cut Pro X y Premiere Pro. Adivina cuál es, por lejos, el mejor en términos de compresión.Siempre fui muy quisquilloso al momento de comprimir mis ...
September 23, 2014, 12:33 PM
http://saeditores.org/Novedades/Alejandro-Broderso...
Del 12 al 19 de septiembre, en la Ciudad de San Juan se desarrolló el 3er Festival Internacional Unasur Cine. En la Competencia Oficial Internacional Ficción se entregó el premio Mejor Montaje ex aequo a Alejando Brodersohn (SAE) por Refugiado y a Gianfranco Annichini por El Mudo...
September 23, 2014, 12:32 PM
http://www.avidblogs.com/phoenix-in-the-studio-and...
The article Music: Phoenix—In the Studio and On Stage by Derk Hagedorn appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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