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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

IBC Blog: Supporting technology for Pro Tools

September 17, 2014, 11:26 AM

http://postperspective.com/ibc-blog-tech-works-pro...

By Simon Ray At the IBC show, I have seen three exciting things that work in and alongside Avid Pro Tools. One First, I had a great demo from Dave Tyler and Simon Sherbourne from Avid of a new collaboration technology potentially being built into Pro Tools. (“Audio Collaboration in the Cloud”). This is still […]The post IBC Blog: Supporting technology for Pro Tools appeared first on postPerspective - Randi Altman's postPerspective.

L’art de la guillotine

September 17, 2014, 11:26 AM

http://journaldunemonteuse.wordpress.com/2014/09/1...

Trois séquences sont passées sur l’échafaud cet après-midi. Le couperet est tombé. Ce fût net et précis. Sélection des plans à l’aide d’un clic maintenu et flèche de suppression. Une collure virtuelle tout à fait invisible pour ressouder l’ensemble. Plus de … Lire la suite →

Toggling colour corrections, smooth slow motion an

September 17, 2014, 11:25 AM

http://www.fcp.co/final-cut-pro/tutorials/1501-tog...

This week's Ripple trio of tutorials (or should that be triple Ripple!) will show you a very handy assignable shortcut, how to replace a sign in Motion and the trick to getting silky smooth slow motion in FCPX.

The Time is Now for Upgrading your Avid!

September 17, 2014, 11:25 AM

https://www.videoguys.com/Blog/E/The+Time+is+Now+f...

At IBC this week Avid announced a new version of Media Composer shipping in Q4 that will include support for native formats including 4K editing and DNxHR CODEC. This is the big news that Avid editors all over the world have been waiting for. While only a few editors are actually needing to edit or deliver 4K content at this time, everyone is looking at their next camera being 4k, if they don't own a 4K camera already. So while you may be HD today, everyone's future is 4K, and Avid is gi...

Creating App previews in Final Cut Pro X

September 17, 2014, 11:24 AM

http://www.fcp.co/final-cut-pro/news/1500-creating...

The App Store will begin to accept videos to demo games or applications and these visual references will be the first media that potential buyers see when browsing the store. Apple has published an article with best practices on how to record your iPhone screen and then edit in FCPX. Some Final Cut Pro X knowledge base articles get an update too.

PVC at IBC 2014 – Everything You Need to Know

September 17, 2014, 04:23 AM

http://provideocoalition.com/pvcexclusive/story/pv...

Being at IBC 2014 has been quite an experience. Spending time in Amsterdam is great, but it’s hard to even remember you’re in such an amazing city with so many people to see, so much technology to check out and so many ideas to talk through. People in...

FCPX noise reduction plugin Photon Pro as good as

September 17, 2014, 04:22 AM

http://photo.it-enquirer.com/2014/09/final-cut-pro...

Image noise is detrimental to photographs, but it’s even worse when it occurs in video. Even a bit of noise can ruin your footage. I received Photon Pro, a very inexpensive and simple to use Final Cut Pro X plug-in that claims it removes noise from your footage achieving the same quality as much more expensive “professional” denoising products. That’s a pretty hefty statement, so I decided to compare Photon Pro to the Red Giant Software Denoiser II plug-in for After Effects.

The Colours of Death Valley

September 17, 2014, 04:22 AM

http://www.fubiz.net/2014/09/17/death-valley-color...

Le photographe américain Jordan Sullivan a pensé le désert et son ciel comme un pantone dans la série « Death Valley ». On y voit des sommets de montagnes qui forment leurs lignes d’horizon sur des fonds violets, roses, jaunes et bleus. Une série qui fait penser à celle de L’Atelier Cordulia.

IBC Blog: Client Monitors

September 16, 2014, 07:08 PM

http://postperspective.com/ibc-blog-client-monitor...

By Chris Ryan One of our days at the IBC show in Amsterdam was spent focusing on monitors. We at Nice Shoes are on a quest to find suitable replacements for our client monitors, which are currently Panasonic Plasmas. When we redesigned our Nice Shoes color grading suites a few years ago we decided to […]The post IBC Blog: Client Monitors appeared first on postPerspective - Randi Altman's postPerspective.

Match Cuts and Hiding The Edits

September 16, 2014, 07:07 PM

http://blogs.nppa.org/editfoundry/2014/09/16/match...

Match cuts are an edit that connects two shots together via the action within the two shots. Editors who are meticulous with match action understand how edits work. The idea is to edit to shots together using the action within the shot. Having movement in both shots, editing on that movement hides the edit.

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