It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 8, 2014, 04:54 PM
http://vashivisuals.com/adobe-premiere-pro-cc-2014...
I’ve been lucky enough to have used this release on a couple professional jobs already and wanted to share some project screen grabs showing these updates in action!
September 8, 2014, 01:35 PM
http://www.studiodaily.com/2014/09/adobe-updates-c...
Adobe announced new updates to its Creative Cloud suite of content-creation tools, including native support for GoPro's CineForm intermediate codec and the AJA Raw format used by AJA's Cion camera to record at up to 120 fps in 4K. High-resolution … more »
September 8, 2014, 01:34 PM
http://feedproxy.google.com/~r/CrewsControl/~3/GIt...
Imagine shooting a project and having full control over your motion imaging in every manner you wish, in terms of color, exposure, saturation, brightness, and contrast.Now imagine your client changed their mind about the ‘look’ after the shoot. For those who have been in the business for a while, you are well aware that when one ‘bakes in’ a look and feel to the image, it’s permanent.Sure in some cases it can be slightly altered or enhanced, but for the most part once that decision...
September 8, 2014, 01:34 PM
http://blogs.adobe.com/agile/2014/09/08/what-is-te...
Recently I’ve been hearing people use the term technical debt to describe all sorts of things that are related to system improvement. However, used properly, technical debt is not a catch-all phrase for system improvement work, but a subset of that work. What is Technical Debt? Ward Cunningham first described technical debt in an experience report in 1992: “Shipping first time code is like going into debt. A little debt speeds development so long as it is paid back promptly with a rew...
September 8, 2014, 01:34 PM
http://www.philiphodgetts.com/2014/09/a-good-day-f...
New features previewed at IBC show strong growth.
September 8, 2014, 01:33 PM
http://provideocoalition.com/news/story/the-foundr...
Following the unveiling of COLORWAY in July, The Foundry has now launched the COLORWAY kit for MAXON Cinema 4D. COLORWAY accelerates the creative design process, giving users access to a simple environment where they can develop looks and lighting for 3D objects and scenes, then share a...
September 8, 2014, 09:42 AM
http://www.mentorless.com/2014/09/08/5-things-cine...
Anybody successfully working in the arduous art of filmmaking will confirm it: it’s a collaborative process. And yet, because so many people are involved at very different stages, effective communication can sometimes be tricky. Two of the most important position in the filmmaking crew are the cinematographer and the editor, but unless a conscious choice is made, they rarely overlap during the storytelling process and little chance is given for both parties to exchange.
September 8, 2014, 09:42 AM
http://www.creativeimpatience.com/sg-is-ps/
Quite often I hear from new users that SpeedGrade is not intuitive, difficult, and completely different from any other Adobe application. Curious but unaware people are quickly discouraged by its seemingly complicated and impenetrable interface. In some sense this is true, there are complex and dark places in SpeedGrade frequented … see more →
September 8, 2014, 09:42 AM
http://provideocoalition.com/pvcexclusive/story/li...
Homer Simpson once described working from home as his dream, and it’s a sentiment shared by many professionals. How many people have dreamed of a morning commute lasting no longer than 30 seconds? A lunch break spent on the back porch? Or having the desire to do something at the end of...
September 8, 2014, 09:41 AM
http://provideocoalition.com/adobe/story/ibc-2014-...
This month at IBC 2014 in Amsterdam, Adobe will preview next updates coming soon to the Creative Cloud video applications. In a fast-moving industry, video pros need tools that keep them ahead of the curve, allowing them to work confidently with the latest hardware and camera formats. With...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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