It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 2, 2014, 04:48 AM
http://philipbloom.net/2014/09/02/everything-you-n...
David Kong here with another video tutorial for you, this time on codecs. I’ve found a lot of confusion and mis-information around the internet about how codecs work, how the differ, and why those differences matter.
September 2, 2014, 04:48 AM
http://www.insidethemagic.net/2014/09/disney-anima...
Disney’s last traditionally animated films were 2009′s “The Princess and the Frog” and 2011′s “Winnie the Pooh.” Before that, decades of history allowed artists to put pencil to paper and create life on the big screen. Now, while computer animation certainly still requires the talent of animators, 2D hand-drawn animation is fading away.
September 2, 2014, 04:47 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Listen to me, Cooney! If you put me and my men in a wringer - -if you send us out there and let us hang - -I swear, I swear by all that's holy, I'll come back. I'll come back and take this grenade and shove it down your throat and pull the pin!” — Lt. Joe Costa, Fox Co. Author Pat Kirkham discusses the opening titles for Attack, from her authoritati...
September 2, 2014, 04:47 AM
http://blogs.nppa.org/editfoundry/2014/09/01/the-b...
Forgive me if you know what video editing is. This post is to those just beginning their journey or those that need a refresher. Classes all over the country have begun teaching your eventual replacements. On September 2nd, 2014 my students at Emily Griffith Technical College begin their journey into video editing. On Tuesdays for […]
September 2, 2014, 04:46 AM
http://splinebomb.com/state-of-mind-3/
This time we have a really in depth interview of how state of mind plays a role with Garret Kramer.Take a sneak peek at what this interview is all about right here. This really is something I am very excited about to get out to artists.
September 1, 2014, 04:15 PM
http://edaeditores.org/consejos-para-una-entrevist...
La Comisión de Producción Audiovisual de la EDA ha lanzado un nuevo spot audiovisual titulado “Consejos para una entrevista de trabajo“, con la actuación de Fabio Alberti y Virginia Ciccolella. Allí, se ejemplifican y enumeran algunos “tips” para la negociación si sos editor o editora y asistís a un entrevista laboral en una productora de televisión.
September 1, 2014, 12:27 PM
http://moviemezzanine.com/history-of-film-psycho/
When one thinks of Alfred Hitchcock, what’s the first film that comes to mind? Certainly, the corpulent master crafted many iconic images, and just as many films. It’s hard to nail down maybe one specific image that defines Hitchcock, but if I had to pick one film that perfectly encapsulates his mission statement as artist, it’d be Psycho. Impeccably crafted in every way, it is the ultimate showcase for how the master showed us everything: by showing us nothing at all.
September 1, 2014, 12:27 PM
http://designingsound.org/2014/09/where-we-stand/
At first glance, you may not think of this site as one where we would care about reactions to critical analysis of media. We care very much, in fact, and feel it is necessary to take a moment to discuss the recent reactions to the latest in Anita Sarkeesian’s “Tropes Vs. Women in Video Games” series.
September 1, 2014, 10:09 AM
http://www.broadcastbeat.com/build-a-soundproof-wa...
Up till just lately, the one factor between my room and the one adjoining was a set of double doorways. I like dwelling with individuals and achieve this by selection, however… Source: www.instructables.com See on Scoop.it – Broadcast Engineering
September 1, 2014, 10:09 AM
http://twainthestoryteller.com/frame-of-reference-...
Joe Mastromonaco became known for his work on Project Runway, which led to nominations for Primetime Emmy awards in 2006 and 2008. Joe continues to live in Los Angeles working in television as well as pursuing a passion for editing feature documentaries. What got you interested in editing? About 15 years ago I was working […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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