It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 31, 2014, 03:55 PM
http://icutfilm.com/post/93403973997
For the Love of Monsters http://filmandanimation.sva.edu/sva-faculty-friday-blog-11/
July 31, 2014, 03:55 PM
http://provideocoalition.com/mspencer/story/relati...
Absolute or Relative? It's up to you, as you'll discover in this week's episode of MacBreak Studio, in which Steve and Mark from Ripple Training continue their exploration of the feature enhancements in the 10.1.2 update to Final Cut Pro X....
July 31, 2014, 05:01 AM
http://www.todayifoundout.com/index.php/2014/07/so...
Whether yours is “Call Me Maybe,” “Who Let the Dogs Out,” “Mickey,” or something equally infectious, at one time or another, you’ve probably had a fragment from a catchy (or obnoxious) tune stuck in your head.
July 31, 2014, 05:01 AM
http://www.cgmeetup.net/home/the-smurfs-animation-...
The Smurfs make their debut on the big screen in Columbia Pictures and Sony Pictures Animation’s blockbuster hybrid live-action and animated family comedy, THE SMURFS.
July 31, 2014, 05:00 AM
http://soundandpicture.com/2014/07/137th-aes-conve...
New York, NY — If it’s about audio, it’s at AES!, and registration is now open to attend the biggest audio event of the year – the AES137 Convention in Los Angeles, California. The AES is gearing up to take over the Los Angeles Convention Center, October 9-12, 2014, located in the revitalized L.A.
July 31, 2014, 04:59 AM
http://www.fcp.co/final-cut-pro/articles/1467-free...
Alex Snelling and 10 dot 1 have just published a new version of their PDF which details the many different workflow scenarios when using Final Cut Pro X. So how much has 10.1.2 changed things?
July 31, 2014, 04:59 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
source: movieclips,com When I was only 9 years old, I saw the movie Butch Cassidy and the Sundance Kid with my parents. In one scene when the main characters jumped off a cliff into a river far below, they both... (...)
July 31, 2014, 04:59 AM
http://www.fcp.co/final-cut-pro/news/1468-beyond-t...
Cast your mind back a year or two ago and it seemed as if everybody & their dogs were releasing light flares. Tangent has gone one step further and released a pack of flares on steroids! Did we mention we have a coupon code too?
July 30, 2014, 05:07 PM
http://vashivisuals.com/sharknado-2-visual-effects...
Tonight is the world premiere of SHARKNADO 2: The Second One. I spent 6 harrowing and insane weeks editing this beast. Tonight…I get to share the final results of all our hard work. Love it or hate it…SHARKNADO 2 is coming! There will be BLOOD! Here’s a sneak peek at the first previs animatic video I received during editorial. On the left side is the previs and on the right side the final completed visual effect as it will look in the film.
July 30, 2014, 05:06 PM
http://www.tvtechnology.com/article/filmlight-work...
LONDON —As part of its move to a new production base, ITV’s popular continuing drama, “Coronation Street,” has implemented a new grading workflow based around FilmLight technology. As well as a Baselight ONE grading system with Slate control surface, five of the productions edit suites are equipped with Baselight Editions, putting the creative grading toolset directly inside Avid.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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