It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 30, 2014, 12:30 PM
https://www.videoguys.com/Blog/E/Improve+RAID+Spee...
I’ve known for a long time that hard drive speed varies as the drive fills up. Drives are at their fastest when they are empty. As they get closer and closer to full, they slow down. What I recently realized was that RAIDs behave the same way: empty RAIDs are really fast, while full RAIDs are much slower.
July 30, 2014, 09:59 AM
http://alex4d.com/notes/item/sharknado-2-post-work...
Today sees the premiere of 'Sharknado 2: The Second One.' Apart from the obvious high quality of the movie, there's an interesting post production story. The two editors who worked on the film used different editing applications. Ana Florit worked in Final Cut Pro 7, Vashi Nedomansky used Adobe Premiere Pro CC. Scott Simmons asked: How did you integrate Premiere Pro into a traditional Final Cut Pro 7 workflow?So here’s how I seamlessly integrated Premiere Pro CC into a FCP7 work...
July 30, 2014, 09:58 AM
http://www.indiewire.com/article/guest-post-heres-...
In this guest post, Scarecrow Visual Effects' VFX Supervisor Josh Bryer and VFX Producer Melissa Brockman discuss ways to control visual effects costs during pr
July 30, 2014, 09:58 AM
http://www.creativebloq.com/audiovisual/vfx-breakd...
This article is produced in association with Masters of CG, a contest for creatives in partnership with HP, Nvidia, and 2000 AD. Vote for your favourite entry today and you could win an HP Slate 7 Plus (*EU residents only).
July 30, 2014, 09:56 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MYRTLE CREEK, OREGON — Artbeats ( www.artbeats.com) , a provider of royalty-free stock footage, announces the celebration of 25 years in business. Founded in 1989, with an opportunity to supply background images to the growing desktoppublishing industry , Artbeats has since grown considerably, providing royalty-free stock footage for broadcast, feature films, commercial, multimedia, game development and independent producers.
July 30, 2014, 04:47 AM
http://www.macworld.com/article/2458763/premiere-p...
If you’ve been caught in an embarrassing situation by the local 6 o’clock news crew, then you’ll appreciate that professional video editors often must protect the innocent by obscuring people’s faces in broadcasts, and in some cases, they may need to avoid trademark infringement by blurring company or product logos. A new feature in Adobe Premiere Pro CC 2014 can make that a much less tedious task.
July 30, 2014, 04:47 AM
http://www.hollywoodreporter.com/behind-screen/kod...
Iconic film manufacturer Kodak is in negotiations with all of the major studios to make a last-ditch deal to keep celluloid alive as its use faces a steep decline in the motion picture and TV industry, much of which has shifted to capturing images digitally.
July 30, 2014, 04:46 AM
http://www.toolfarm.com/blog/entry/new_fxfactory_h...
Noise Industries FxFactory has a new color grading plug-in, Hawaiki AutoMatch. Auto Match Shots in FCP X, Premiere Pro, After Effects and Motion!
July 30, 2014, 04:45 AM
http://www.fcp.co/final-cut-pro/articles/1466-comi...
This is something that we don't really do, trail an article, but this time it's well worth it. How the Tour de France was edited on FCPX for UK broadcast television.
July 30, 2014, 04:44 AM
http://provideocoalition.com/ssimmons/story/sharkn...
Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enoug...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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