It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2018, 10:20 AM
http://lesterbanks.com/2018/02/creating-orbit-anim...
Plugin Everything Has a Look at using Cartoon MoBlur to Create a 3D Orbit Animation in After Effects The Team at Plugin Everything posts a look at creating a 3D orbiting animation with the help
February 14, 2018, 10:20 AM
https://www.filmmakingstuff.com/filmmaking-5-tips-...
No matter how awesome your movie, there are always ways to improve it. Having spent the greater part of my career working in film distribution, most rough cuts are ten minutes too long. But if you are like most filmmakers, you’re too close to the material to know what to cut and what to keep.
February 14, 2018, 06:27 AM
http://saeditores.org/Novedades/Syriana-por-Tim-Sq...
¿Cómo hacer un corte forzados por alguna circunstancia, y que parezca que tuvimos un buen motivo para realizarlo? A partir de ese planteo, Tim Squyres (ACE) -editor de Syriana (Stephen Gaghan, 2005)- reflexiona sobre la edición de diálogos, la cuestión acerca de cuándo cortar y a quién mostrar en cada momento de la charla, proponiendo como guía lo que nos va sugiriendo el propio material.
February 14, 2018, 06:26 AM
http://www.artofvfx.com/jumanji-welcome-to-the-jun...
Want to know more about the rhinos sequence in JUMANJI – WELCOME TO THE JUNGLE? Check out this VFX Breakdown by Iloura...
February 14, 2018, 06:25 AM
http://www.indiewire.com/2018/02/ves-awards-visual...
“War for the Planet of the Apes” from Weta Digital could well be on its way to the elusive VFX Oscar after winning four VES trophies Tuesday night at the Beverly Hilton (including the top feature prize). Christopher Nolan’s “Dunkirk” won for supporting VFX, Pixar’s “Coco” earned four awards (including VFX for animation), and “Game of Thrones” took home five awards (including VFX for TV).
February 13, 2018, 01:19 PM
http://feedproxy.google.com/~r/richardharringtonbl...
If you came to Adobe Premier Pro from Final Cut Pro seven or earlier, there was a feature thatyou may have gotten used that you missed. That was the ability to have multiple projects open at the same time. A lot of folks like to do this so that they can easily browse multiple projects and just move things between bins as needed to quickly access content. Now this type of workflow is supported in Premier Pro as of the 2018 edition. However, it's a little bit complex and I want to walk yo...
February 13, 2018, 01:19 PM
http://www.studiodaily.com/2018/02/christopher-tow...
Oscar nominee Christopher Townsend was the overall visual effects supervisor for Marvel’s Guardians of the Galaxy, Vol. 2. This is the second Oscar nomination for Townsend; his first was for the 2013 film Iron Man 3, which resulted in VES and BAFTA nominations for best visual effects, as well. His 13 award nominations also include […] The post Oscar-Nominated VFX Supervisor Christopher Townsend on Guardians of the Galaxy Vol. 2 appeared first on Studio Daily.
February 13, 2018, 10:30 AM
http://www.btlnews.com/blog-the-line/sound-designe...
For director Denis Villeneuve’s Blade Runner 2049, sound designers Theo Green and Mark Mangini relished the challenge of creating the film’s soundtrack without the use of any off-the-shelf effects. The director tasked them to “compose with sound.” Everything heard in the film’s universe was “created from whole cloth” by sound designers and sound editors. “Theo […] The post Oscar Nominated Sound Designers Theo Green & Mark Mangini – Blade Runner 2049 appeared first on Bel...
February 13, 2018, 10:28 AM
https://www.youtube.com/watch?v=5vT6b8ZAisM
Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut
February 12, 2018, 12:46 PM
http://www.studiodaily.com/2018/02/vfx-supe-lesley...
The Marvelous Mrs. Maisel, the latest from Gilmore Girls creator Amy Sherman-Palladino, is a period piece about a recently separated New York City housewife who bucks convention to become a stand-up comic. The Golden Globe-winning show stars Rachel Brosnahan but also New York City, where it is shot. This late 1950s-era New York is populated […] The post VFX Supe Lesley Robson-Foster on Expanding The Marvelous Mrs. Maisel’s World appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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