It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2018, 01:49 PM
http://www.studiodaily.com/2018/02/focus-women-pro...
The USC Annenberg Inclusion Initiative (AII) has revealed the results of its annual report on Inclusion in the Director’s Chair and, again, Hollywood got a failing grade when it comes to putting women in positions of power on set. USC Annenberg associate professor Stacy Smith, who is the founder and executive director of the AII, […] The post Focus on Women in Production and Post appeared first on Studio Daily.
February 7, 2018, 10:52 AM
http://www.prosoundeffects.com/blog/recording-anim...
Get insight on the methods used by one of the most accomplished animal recordists in film and game audio, Ann Kroeber. Layering animal sound effects is a common sound design trick. An elephant screech famously contributes to the classic Star Wars® TIE Fighter sound, roaring lions are tucked into revving ... The post Recording animal sound effects with Ann Kroeber appeared first on Pro Sound Effects Library.
February 7, 2018, 10:52 AM
https://fxfactory.com/blog/effects-2/minimal-title...
Bring elegance to your project with Minimal Titles for Final Cut Pro Just drag and drop. Customize everything. What is Included: Quick and easy to edit in Final Cut Pro X Responsive titles with multiples OSC’s Change duration, color, position, size, etc Disable animation in/out Ready to use in 4K projects No third-party plugins required […]
February 7, 2018, 10:51 AM
https://filmschoolrejects.com/hollywoods-stunt-com...
If there’s one thing we can learn from the #MeToo movement, it’s that the conventions surrounding supposedly well-oiled machines in every industry need to be questioned. Sexism and various forms of workplace inequality have been happening years before the downfall of Harvey Weinstein shone a long overdue spotlight on Hollywood.
February 7, 2018, 08:09 AM
https://www.provideocoalition.com/day-7-28daysofqu...
I’m still quite perplexed that nearly 7 years after its release Final Cut Pro X still doesn’t have an audio-only dissolve transition that can be quickly applied with one keystroke. It is quite literally my single biggest complaint about FCPX. Yes you can get a third party audio-only transition but you have to be careful with that as I’ve had it show black frames during its duration upon moving a project.
February 7, 2018, 08:09 AM
http://www.artofvfx.com/iloura-is-now-method-studi...
The two studios Iloura and Method Studios have joined their forces to become Method Studios!
February 7, 2018, 08:09 AM
http://www.cgmeetup.net/home/the-vfx-festival-2018...
The VFX Festival 2018 Title Sequence by MPC...
February 7, 2018, 08:09 AM
http://www.cgmeetup.net/home/maya-super-shapes-and...
Phil Radford – PLaying about with supershape animation combined with a MASH juggle deformer.
February 6, 2018, 07:04 PM
http://www.studiodaily.com/2018/02/technicolor-ope...
Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX studio based in Adelaide, Australia. The move coincides with the South Australia Film Corporation offer of a new, un-capped Post Production, Digital and Visual Effects (SA PDV) rebate. Beginning last month, the new SA PDV rebate offers a […] The post Technicolor Opens VFX Studio Mill Film in Adelaide, Australia appeared first on Studio Daily.
February 6, 2018, 01:21 PM
http://postperspective.com/cinesite-vfx-supervisor...
By Randi Altman The Commuter once again shows how badass Liam Neeson can be under very stressful circumstances. This time, Neeson plays a mild-mannered commuter named Michael who gets pushed too far by a seemingly benign but not-very-nice Vera Farmiga. For this Jaume Collet-Serra-directed Lionsgate film, Continue reading → February 6, 2018 The post Cinesite VFX supervisor Stephane Paris: 860 shots for The Commuter appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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