It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 10, 2014, 09:45 AM
http://www.studiodaily.com/2014/06/moments-that-ch...
Watch this excellent short documentary on the VFX of Jurassic Park, with Dennis Muren, Kathleen Kennedy and more remembering the birth of CG creature features.
June 10, 2014, 09:45 AM
http://provideocoalition.com/mchristiansen/story/t...
At the close of last week, Sony Pictures Imageworks (SPI) announced it would be moving its headquarters from Los Angeles to Vancouver. While inevitable to many visual effects industry observers who understand the role of subsidies in moving VFX work away from California and the U.S., this...
June 10, 2014, 09:44 AM
http://www.fcp.co/final-cut-pro/tutorials/1435-usi...
Back to what the boys do best and that's digging around in the functionality of FCPX. This week they explore the wonderful world of the through edit.
June 10, 2014, 09:44 AM
http://www.motionelements.com/blog/articles/going-...
While static graphics are easy to scan and understand, motion graphics bring dynamism and give life into otherwise static content. This particular industry is growing, much like how the software it’s created with is becoming more accessible to everyone. Everything from school projects, to TV commercials, to professional demo reels and portfolios, now contain great [...]
June 10, 2014, 09:43 AM
http://provideocoalition.com/pvcexclusive/story/ci...
This year's Cine Gear had its share of well-known vendors and their wares (Arri, Litepanels, Dolby, Kessler, SmallHD, etc.) but I like the show because it's a great opportunity to find lesser-known gear that you might not otherwise discover, or have a chance to try hands-on. Here's...
June 10, 2014, 09:43 AM
http://www.artofvfx.com/?p=8175
Technicolor have just published a press release that said they will acquires the Toronto based VFX studio Mr.X Inc...
June 10, 2014, 09:42 AM
http://www.artofvfx.com/?p=8178
Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film’s visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.
June 10, 2014, 09:42 AM
http://www.toolfarm.com/blog/entry/tutorial_3d_cam...
Joren from The Pixel Lab shows the workflow of working with footage tracked with The Foundry’s CAMERATRACKER in After Effects and then bringing that footage into MAXON CINEMA 4D.
June 10, 2014, 03:50 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Now is the time to stop being a loser.” — Randi Jammer It’s the summer of 1985 and all 13-year-old Radford Miracle cares about is junk food and jams, slurpees and LPs. But on a fam...
June 10, 2014, 03:49 AM
http://www.screeneditors.com.au/im-standin-on-the-...
by DEBORAH PEART ASE The above line from the classic Cold Chisel song has come to ring in my head several times over the last 14 months since I made the switch from sitting to standing when I work. Many of you may have read about or have colleagues who have made “the transition” (yes [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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