It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 19, 2019, 07:29 PM
https://www.redsharknews.com/post/item/6725-can-yo...
Emmy Award Winning Editor Simon Smith discusses his workflow on Chernobyl and how it’s enabled working from home. ChernobylSimon SmithEditingAvid
October 19, 2019, 07:28 PM
https://www.studiodaily.com/2019/10/nab-show-ny-di...
Two cinematographers speaking on an NAB New York panel agreed that the mix of speed and precision required on a commercial set makes the DIT a valuable collaborator when setting the look of a given spot. But they differed, somewhat, on the exact nature of that collaboration. Joe DeSalvo, a New York-based DP who specializes in automobile […] The post NAB Show NY: Why the DIT Is Key to Success on Set appeared first on Studio Daily.
October 18, 2019, 08:15 PM
https://digitalfilms.wordpress.com/2019/10/05/shar...
I’m certainly no IT whizz, but as an editor and all-around “workflow guy,” I’ve used and done basic management of a number of different shared storage solutions, going all the way back to Avid MediaShare SCSI. Shared storage solutions, aka storage area networks (SAN), have evolved from SCSI connectivity to Fibre Channel (both copper […]
October 18, 2019, 08:11 PM
https://www.newbluefx.com/blog/selective-focus-til...
Part 17 of 24 • Powerful Tools for Forcing Focus • Wide Range of Edge Softness • Introduce Popular Tilt-Shift and Variable Focusing to Make Your Shots Pop The post SELECTIVE FOCUS & TILT SHIFT: A Change in Perspective appeared first on NewBlueFX.
September 30, 2019, 05:37 PM
https://www.redsharknews.com/production/item/6668-...
More affordable HDR displays were the name of the game at this year's IBC Show. DisplayAsusAtomos
September 29, 2019, 06:49 PM
https://www.premiumbeat.com/blog/premiere-pro-titl...
New to Premiere? Find out about the easiest ways to insert a title into your timeline, as well as how to create subtitles for your project.
September 29, 2019, 06:48 PM
https://digitalfilms.wordpress.com/2019/09/28/hand...
Once the industry entered the file-based era, we realized that dealing with and properly archiving audio and video files could make or break a production company. No more videotapes on the shelf to pull footage from. Unfortunately many companies, producers, clients, and editors simply solved this with a hodgepodge of small, portable drives – Firewire, […]
September 28, 2019, 05:02 PM
https://postperspective.com/sound-mastering-superv...
Cinelab London, which provides a wide range of film and digital restoration services, has hired Jason Stevens as sound mastering supervisor. Stevens brings with him over 20 years of experience in sound and film archive restoration. Prior to his new role, he was part of the archive and restoration team at Pinewood Studios. Continue reading → September 27, 2019 The post Sound mastering supervisor Jason Stevens joins Cinelab London appeared first on postPerspective.
September 28, 2019, 05:02 PM
https://www.redsharknews.com/production/item/6674-...
This incredible slow motion footage of waves is jaw droppingly good. Chris BryanMoceanphantom flex 4KSlow MotionHFR1000fps
September 28, 2019, 05:01 PM
https://journaldunemonteuse.wordpress.com/2019/09/...
En ce moment je coach Manon qui souhaite monter le film documentaire qu’elle a tourné pendant deux ans dans une maison de quartier et Vladimir qui aborde son premier montage avec un réalisateur et qui souhaite anticiper les problèmes. Avec … Lire la suite →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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