To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Eddie Awards 2017 – Videos
April 28, 2017, 07:31 AM
https://americancinemaeditors.org/2017eddie-videos...
VR at NAB: How Do We Know We’re on the Right Tra
April 27, 2017, 12:29 PM
http://www.studiodaily.com/2017/04/vr-nab-know-rig...
Amid the plethora of cloud storage and umpteen IP solutions displayed at NAB, VR and the likelihood (or not) of its eventual adoption by the marketplace dominated the conversations of many attendees. Is VR merely a novelty and technology experiment? Or is it destined for something greater, in the entertainment, technical, and commercial arenas? With […] The post VR at NAB: How Do We Know We’re on the Right Track? appeared first on Studio Daily.
[19] Bafici: Nominados a Mejor Montaje – Otra ma
April 27, 2017, 09:35 AM
https://edaeditores.org/19-bafici-nominados-a-mejo...
Mariano Luque, editor y director de Otra madre, nos cuenta cómo fue el proceso de montaje de su película, nominada al Premio al Mejor Montaje de película Argentina en competencia, que otorgarán EDA y SAE en la 19ª edición del BAFICI. El mayor desafío como editor siendo también el director de la película, fue […]
New Features in After Effects | NAB Show 2017
April 26, 2017, 06:37 PM
https://www.youtube.com/watch?v=1GocrXe63Ew
If you need CC, Get Adobe Creative Cloud: http://cinemaspice.net/adobe-creative-cloud/ to help support this channel. Don't forget to share this video. You never know who among your friends is a closet After Effects user. Thanks. Google+ https://plus.google.com/116138148272103856598/posts After Effects Users Community https://plus.google.com/communities/109444254714171602367 Twitter https://twitter.com/longlivemikey Facebook: https://www.fa...
[19] Bafici: Nominados a Mejor Montaje – El Pamp
April 26, 2017, 12:56 PM
https://edaeditores.org/19-bafici-nominados-a-mejo...
Delfina Castagnino de El Pampero, nos cuenta como fue el proceso de montaje de la película, nominada al Premio al Mejor Montaje de película Argentina en competencia que otorgarán EDA y SAE en el 19 BAFICI. Creo que El Pampero fue la película con más desafíos a sortear en el proceso de montaje. El guión […]
Avid Artist | DNxIQ is Next-Generation Video/Audio
April 26, 2017, 12:55 PM
http://www.videoguys.com/blog/avid-artist-dnxiq-ne...
LAS VEGAS, April 22, 2017 (GLOBE NEWSWIRE) — AVID CONNECT – Avid® (Nasdaq: AVID), a leading global media technology provider for the creation, distribution, and monetization of media assets for global media organizations, enterprise users and individual creative professionals, today announced the availability of Avid Artist | DNxIQ, a new hardware interface that delivers extensive Read More The post Avid Artist | DNxIQ is Next-Generation Video/Audio Interface with 4K Monitoring appeare...
G-Technology Focuses on Thunderbolt 3 Storage at N
April 26, 2017, 12:55 PM
http://www.videoguys.com/blog/g-technology-focuses...
G-Technology is launching 3 new lines with Thunderbolt 3 technology: G-DRIVE, G-RAID, G-SPEED Shuttle XL. Click on the links to pre-order yours today onVideoguys.com! Read more about the Thunderbolt 3 storage solutions in this article from SportsVideo.org: G–Technology (SL3824), a Western Digital company, has launched new Thunderbolt 3 and USB-C connectivity technologies at NAB 2017. Read More The post G-Technology Focuses on Thunderbolt 3 Storage at NAB 2017 appeared first on Videoguys Blog.
NAB 2017: Off the Beaten Path, Day 2
April 26, 2017, 10:02 AM
http://www.studiodaily.com/2017/04/nab-2017-off-be...
Going through the halls of NAB, today I looked at some innovative products that add features to make production a little bit easier. LaCie 2big Dock This hard drive array made of two drives comes in capacities of 12, 16 or 20 GB. Along with the fast and good-capacity storage, the unit also features two Thunderbolt […] The post NAB 2017: Off the Beaten Path, Day 2 appeared first on Studio Daily.
[19] Bafici: Nominados a Mejor Montaje – Una her
April 26, 2017, 10:02 AM
https://edaeditores.org/19-bafici-nominados-a-mejo...
Laura Bierbrauer, editora (junto con Sofía Brockenshire y Verena Kuri) de Una hermana, nos cuenta como fue el proceso de montaje de la película, nominada al Premio al Mejor Montaje de película Argentina en competencia que otorgarán EDA y SAE en el 19 BAFICI. La película Una Hermana formó parte del Biennale College, un […]
Clínica profesional: *Diseñando la escena*
April 26, 2017, 10:02 AM
http://saeditores.org/Novedades/Clinica-profesiona...
En el marco del Área Profesional del 19º BAFICI, el pasado 20 de abril se desarrolló la clínica Diseñando la escena, que fue organizada por SAE y EDA y que estuvo a cargo de Lucas Scavino (SAE) y Ezequiel Yoffe (EDA)...
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