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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

EditShare Will Debut EFS 2020 at IBC

August 29, 2019, 12:12 PM

https://www.studiodaily.com/2019/08/editshare-will...

EditShare said it will debut EFS 2020, a new version of its file system and management console that it says increases throughput up to 20%, at IBC. The improved performance can be credited in part to the company’s decision to write its own native EFS drivers for Windows, Mac and Linux tuned specifically for media and entertainment […] The post EditShare Will Debut EFS 2020 at IBC appeared first on Studio Daily.

RT Software uses AJA solutions for fast, reliable

August 29, 2019, 12:11 PM

https://www.provideocoalition.com/rt-software-uses...

Dynamic, interactive graphics are now an essential part of many broadcast and sports productions, so RT Software standardized on AJA I/O solutions for fast, reliable graphics playout. As Augmented Reality becomes more widely used to visualize information like weather patterns, athletic performance, match plays and more, transforming the way audiences see their favorite programs,  companies... The post RT Software uses AJA solutions for fast, reliable graphics playout in broadcast appeared ...

1 Year, 30,000 km - On the road with FCPX Part 1

August 29, 2019, 09:36 AM

http://www.fcp.co/final-cut-pro/articles/2203-1-ye...

"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?" We are very excited to publish the first part of Carsten Orlt's amazing Final Cut Pro X user story. Making good documentaries is hard enough, but working from a mobile base adds another level of hassle and complexity!

Review & Rating Titles for Final Cut Pro X

August 29, 2019, 09:36 AM

https://fxfactory.com/blog/effects-2/review-rating...

Review Pop is a review graphics package that makes showing a product or online review easier than ever.

Cannes Lions Winning Editor Ernie Gilbert Talks Cr

August 28, 2019, 01:23 PM

https://www.productionhub.com/blog/post/cannes-lio...

Director/Editor Ernie Gilbert has a pretty outstanding track record when it comes to his stint in the industry - including assistant editing on Emmy, Golden Globe and Peabody award-winning shows like Baskets (FX), Atlanta (FX, and Barry (HBO), worked with some of the largest ad agencies in the world and brands like Jordan, DirectTV, Banana Republic, Reebok, American Eagle, and Fox Sports and edited music videos for the likes of John Legend, Trippie Red, 2 Chainz, ScHoolboy Q, Linkin Park, Po...

Building a massive editing storage setup on a budg

August 27, 2019, 01:23 PM

https://postperspective.com/building-a-massive-edi...

By Mike McCarthy “This year, I oversaw the editing process for a large international film production. This involved setting up a collaborative editing facility in the US, at Vasquez Saloon, with a large amount of high-speed storage for the source footage. While there was “only” 6.5TB of offline DNxHR files, they shot around 150TB of Red footage that we needed to have available for onsite VFX, Continue reading → August 27, 2019 The post Building a massive editing storage setup on a...

ART OF THE CUT with the editor of “Angel Has Fal

August 27, 2019, 01:23 PM

https://www.provideocoalition.com/aotc-angel/

Gabriel Fleming, ACE, began his editing career in reality TV, cutting shows like “Making the Band” and “America’s Next Top Model.” That led him to scripted TV for MTV’s “Teen Wolf” series before landing an assisting editor gig on the feature film, Battleship, then quickly moving up to editing features like Deepwater Horizon, Patriot’s Day,... The post ART OF THE CUT with the editor of “Angel Has Fallen,” Gabriel Fleming, ACE appeared first on ProVideo Coalition.

Ripple Tools Complete 2 for Final Cut Pro X

August 27, 2019, 01:22 PM

https://fxfactory.com/blog/effects-2/ripple-tools-...

You can now track and blur a face or logo, track and remove a drone shadow or other object, create trackable masks for color corrections and more!

Emmy-Nominated Editor Leo Trombetta, ACE, on True

August 27, 2019, 06:48 AM

https://www.studiodaily.com/2019/08/emmy-nominated...

The third season of enigmatic crime drama True Detective from creator-writer-executive producer Nic Pizzolatto plays with perspective and narrative like few other shows on television. Mixing memories, both recalled and imagined, with intense action and psychological tension across three distinct time periods, this season earned the show nine Emmy nominations, including one for star Mahershala Ali and […] The post Emmy-Nominated Editor Leo Trombetta, ACE, on True Detective appeared first...

Nitecore Superior Prime: a completely new line of

August 26, 2019, 10:10 AM

https://www.provideocoalition.com/nitecore-superio...

Featuring interchangeable PL, Canon EF and Sony E mounts for the needs of different camera users, the Nitecore Superior Prime family of full frame lenses offers five focal lengths from 25 to 100mm. Nitecore is a company known for its illumination products. The company claims it has the most innovative designs and best user experience... The post Nitecore Superior Prime: a completely new line of Cinema lenses appeared first on ProVideo Coalition.

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