It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 2, 2014, 12:16 PM
http://www.jaa-editing.com/blog/sci-fi-london-48-h...
Over the weekend of 12-14 April, I once again took part in the 48 hour film challenge which is part of the annual Sci-Fi-London festival. It's known for helping directors get a first feature launched, including Gareth Edward's 2010 film Monsters (the sequel to which is now in post, and directed by my NFTS friend Tom Green, for whom I edited the short film Brixton 85 while at film school). Last night were the screenings of the top 20 films out of the 217 submitted at the end of the challen...
May 2, 2014, 12:16 PM
http://www.postmagazine.com/Press-Center/Daily-New...
When you can do anything in VFX, it's challenging to do something fresh and exciting. Here are five new things the VFX artists at Sony Pictures Imageworks (www.imageworks.com) — and other assisting VFX houses — did to make The Amazing Spider-Man 2 a must-see movie.
May 2, 2014, 12:15 PM
http://www.premiumbeat.com/blog/free-after-effects...
Download these FREE After Effects templates to add punch to your video editing and motion design projects!
May 2, 2014, 12:14 PM
http://www.creativebloq.com/3d/how-create-realisti...
This tutorial is designed to help you understand how real car paint works, as well as how to create your own in 3ds Max. Although this tutorial is for 3ds Max and V-Ray, the theories we cover should be transferable to other packages as well.
May 2, 2014, 12:14 PM
http://www.legitreviews.com/asus-hyper-express-rev...
Last week we talked about what makes SATA Express important and showed off some performance benchmarks of the ASUS Hyper Express SATA Express External Enclosure. We’ve been able to acquire our own ASUS Hyper Express drive and we spent this week trying it out on our own systems to see how it performed on one of our own systems.
May 2, 2014, 07:43 AM
http://www.lockergnome.com/homestead/shelfables/20...
There’s no denying that a big part of the charm of Star Wars comes from its never-before-heard sound effects.
May 2, 2014, 07:42 AM
http://www.animationmagazine.net/vfx/exclusive-ani...
The Amazing Spider-Man 2 swings into theaters this weekend amid extremely high expectations. The film, directed by Marc Webb, opens in some 4,300 theaters and is forecast to gross around $95 million, which would far surpass the $62 million opening weekend for the first film in the series in 2012.
May 2, 2014, 07:42 AM
http://www.fxguide.com/featured/captain-america-th...
With Captain America: The Winter Soldier, Marvel advances the story of WWII super-soldier Steve Rogers (Chris Evans), now a key player with S.H.I.E.L.D. but also struggling to come to terms with his modern-day transposition.
May 2, 2014, 07:41 AM
http://www.cgmeetup.net/home/planar-tracking-workf...
In this tutorial, Imagineer Systems Product Manager Martin Brennand shows how to use mocha’s powerful planar tracking to solve a difficult cell phone screen track that moves offscreen and out of focus. He then use Boris Continuum Complete 9 Corner Pin plug-in to import the track data into both Avid Media Composer and Adobe Premiere Pro CC. Both mocha AE v3 and mocha Pro v3 support BCC tracking data imports.
May 2, 2014, 07:40 AM
http://www.cgmeetup.net/home/sliding-bouncing-in-2...
In this video tutorial learn/tutorials/modules/beginner/2d/sliding-bouncing-2d. Sliding and Bouncing are all controlled by a Physics Material applied to a Collider Component. In this video we set up both Bouncy and Slippery 2D Physics Materials, and apply them to GameObjects...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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