It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 20, 2018, 05:49 AM
http://www.digitalrebellion.com/blog/posts/thought...
You may have read Apple's article about "legacy media" being phased out in the next version of macOS or even been alerted by an error message in the new version of FCPX. The article is fairly sparse and doesn't go into detail about the change or explain why it is occurring. To be clear, it's not that 32-bit codecs are going away, it's that all 32-bit software is going away. But it affects video software the most because the only reason for an app to still be 32-bit in 2018 is because ...
November 19, 2018, 01:48 PM
https://www.provideocoalition.com/pvcs-2018-black-...
The loooooongest Friday of the year is back, and we’ve looked at some of the best deals for you. This is a first installment of the series on 2018 Black Friday and Cyber Monday deals for PVC readers...
November 19, 2018, 05:34 AM
http://www.fcp.co/final-cut-pro/news/2130-videos-f...
A busy few days for everybody! Apple's video Pro Apps all get an update and the fourth FCPX Creative Summit takes place. We have corralled the videos from the past week with multiple languages and multiple opinions on the update!
November 17, 2018, 07:27 AM
http://www.davidbordwell.net/blog/2018/11/16/the-c...
Breaking news! Last month ATT’s acquisition of Time Warner led to the announcement that FilmStruck, and the Criterion Channel thereon, would be discontinued. (Today I got my refund for the rest of my annual subscription.) But many film fans and filmmakers have kicked up a fine fuss. One especially robust bloc wrote directly to Warner […]
November 15, 2018, 02:20 PM
http://www.fcp.co/final-cut-pro/news/2129-apple-up...
Apple today has updated Final Cut Pro X to 10.4.4, Motion to 5.4.2 and Compressor to 4.4.2. We take a look at the new features including the new third party apps that work within FCPX.
November 15, 2018, 10:03 AM
https://www.provideocoalition.com/adobe-premiere-r...
Many content producers are excited about Adobe’s new Premiere Rush. That’s the final product name for the code-named Project Rush multiplatform production tool I covered in a prior article, an episode of BeyondPodcasting, and other ProVideo Coalition contributors have covered (links ahead). Now that Premiere Rush is out of beta and officially available for iOS (iPhone, iPad, iPod Touch), macOS and Windows (but still pending for Android and Chromebook), Cielo de la Paz of The Storyographist a...
November 13, 2018, 07:20 AM
http://www.fcp.co/final-cut-pro/articles/2127-the-...
What is Final Cut Pro X like running on a new Mac mini? We take a look at the new model, its features and how well FCPX performs. It even beats an iMac Pro in one of our tests!
November 13, 2018, 07:20 AM
https://postperspective.com/behind-title-picture-s...
NAME: Alex Martin COMPANY: Picture Shop Post TITLE: Workflow Specialist CAN YOU DESCRIBE YOUR COMPANY? While Picture Shop is two years old, our team has decades of experience. A majority of our employees here know each other through some previous career venture. Continue reading → November 12, 2018 The post Behind the Title: Picture Shop workflow specialist Alex Martin appeared first on Randi Altman's postPerspective.
November 13, 2018, 07:19 AM
https://www.provideocoalition.com/the-oath-shot-wi...
The film “The Oath” was shot with several URSA Mini Pro digital film cameras and edited and graded with DaVinci Resolve Studio. I mean who does not love a filmmaker make their story work on a Blackmagic camera.
November 8, 2018, 10:39 AM
https://www.provideocoalition.com/askavid-the-sequ...
It was just over a year ago that Avid Technology partnered with Keycode Media for the #AskAvid event where Media Composer users (and really anyone else curious about Avid and where Media Composer was headed) came together with Avid executives to talk the present and future of Media Composer. It was an informative but often contentious event as some old farts longtime Avid customers complained pressed the MC team on the future of their have to use favorite NLE.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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