It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 21, 2014, 07:22 AM
http://robgwilson.com/2014/04/20/the-american-side...
A still from the upcoming feature film “The American Side”, directed by Jenna Ricker and edited by me.Filed under: Uncategorized Tagged: film, film noir, movie, the american side
April 21, 2014, 07:22 AM
http://blogs.creativecow.net/blog/13461/finding-th...
When I headed to the NAB Show last week(ish), part of my (personal) mission was to learn a little more about companies I didn’t know much about. Not just ask someone or read some Wikipedia stuff, but actually get to know what their missions are in post-production right now. I found that if I just went up to an industry peer and asked about Grass Valley, they’d give me a bit of “oh, they’re still around?” I mentioned to someone that I had just been to a Quantel press conference and they...
April 21, 2014, 07:21 AM
http://michaelcardillo.com/soundmind/?p=37
My newest plugin is something I can’t help but rave about. It’s called Vitamin from Waves and once you try it, you’ll discover how essential it is. This particular review (and plugin) should appeal to anyone who mixes music (live or in studio) or audio post for TV/film as well as sound effects designers. I have […]
April 21, 2014, 07:20 AM
http://michaelcardillo.com/soundmind/?p=11
Audio plugins come in three basic categories: Dynamic (compression, limiting, etc.) Spectral / Filter effects (EQ, etc.) Time Based effects (delay, reverb, etc.) All three are critical for a good mix, but I dare say that no mix is complete without compression and EQ. So let’s start there. First thing to know about plugins is […]
April 20, 2014, 08:28 PM
http://provideocoalition.com/ssimmons/story/pvc-at...
Sure Blackmagic Design had important new camera surprises (covered here by Matt) but it was the new features of DaVinci Resolve that most caught my eye. Why? Because they have added even more editorial tools to Resolve v11 and are building it into what looks to be a quite capable editor.
April 20, 2014, 08:28 PM
http://blogs.creativecow.net/blog/13411/round-trip...
I love art and how art is made.
April 19, 2014, 02:28 PM
http://freytag-film.com/blog/artikel/best-nab-or-n...
WOW. Just Wow. Wasn't that an exciting and thrilling NAB this year? I really can't believe all these game-changing new products!
April 19, 2014, 02:28 PM
http://www.artofvfx.com/?p=6524
Oliver Hohn is working for over 5 years in the compositing at RISE. He has participated on various movies such as PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF, CAPTAIN AMERICA: THE FIRST AVENGER, CLOUD ATLAS or IRON MAN 3.
April 19, 2014, 02:27 PM
http://www.macprovideo.com/hub/final-cut/final-cut...
In our recent comprehensive speed test of FCP X performance, we looked at how quickly modern Macs can render, export and compress a variety of different files. Those numbers are certainly important, in that you can extrapolate them to larger video projects fairly readily. But what about real time performance? Can your Mac keep up with you? That’s what we’re going to look at here.
April 19, 2014, 02:26 PM
http://provideocoalition.com/atepper/story/atomos-...
At NAB 2014, Átomos announced its under-US$2k Shogun 4K 4:2:2 recorder/calibratable 7" 1920x1080 monitor with scopes, HDMI and 12G-SDI, and XLRLemo balanced audio breakout cable. (More about that cable ahead in this article.) Átomos also made a joint announcement with Sony regarding the A7s 4K camera, which is aimed to compete with the Panasonic’s GH4, both of which work with the Shogun. Details ahead…
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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