It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 19, 2014, 09:32 AM
http://www.cgmeetup.net/home/the-fly-vfx-breakdown...
These are five shots I recently worked on. Even house flies drop dead because of boring and bad quality programmes on TV!
April 19, 2014, 09:32 AM
http://animationguildblog.blogspot.ca/2014/04/inve...
The longer I invest for retirement, the more I realize that most people (me included) should make the program as simple, easy and stress-free as possible, then stick with the program.
April 19, 2014, 09:32 AM
http://animationguildblog.blogspot.ca/2014/04/runn...
... Toys, dolls, and clothes have always been a big part of strategy at Disney, the world’s largest licensing company. Even so, it’s hit an unexpected merchandise jackpot with Elsa, the Snow Queen of Arendelle, and her ice gown. “It took everyone by surprise worldwide,” says Stephen Berman, chief executive officer at Jakks Pacific (JAKK), a manufacturer that sells to chains such as Wal-Mart Stores (WMT) and Target (TGT). “This is a new Disney princess franchise. It happens maybe once o...
April 18, 2014, 08:35 PM
http://blogs.adobe.com/aftereffects/2014/04/seamle...
Paul and Christina Graff of Crazy Horse Effects (CHE) are visual effects aficionados, with projects to their credit such as There Will Be Blood and Life of Pi. They also work with a team of some of the best matte painters and designers in the visual effects industry, and are recognized for their award-winning compositing. They recently created some seamless visual effects for The Wolf of Wall Street, directed by Martin Scorsese, with Oscar-winning VFX supervisor Rob Legato overseeing th...
April 18, 2014, 04:22 PM
http://www.avidblogs.com/nab-2014-avid-mediacentra...
The article NAB 2014: Manage, Protect, Distribute and Monetize in the Media Suite by Timory Burleson appeared first on Avid Blogs - Get the music and post production tutorials and industry insight you need to bring great stories to life—read Avid Blogs..
April 18, 2014, 04:22 PM
http://postperspective.com/nab-bluefish444s-craige...
During the NAB show in Las Vegas, Bluefish444, makers of uncompressed SDI video cards, announced support of the new Assimilate Scratch Version 8. Thanks to some collaborative engineering, Bluefish allows 4K SDI preview and up to 4K 60p with its Epoch 4K Supernova and the Epoch 4K Supernova S+ (pictured) cards. According to managing director […]The post NAB: Bluefish444′s Craige Mott appeared first on postPerspective - Randi Altman's postPerspective.
April 18, 2014, 04:21 PM
http://provideocoalition.com/adobe/story/creating-...
Plastic Reality is a production company known for branding and other video work for big corporate clients such as BP and Unilever. But unlike most corporate video companies, Plastic Reality has a wild side, called The Happiness Labs, focused on producing experiential content and graphics for...
April 18, 2014, 04:21 PM
http://www.premiumbeat.com/blog/instagram-filters-...
Show your inner hipster with these “vintage” Instagram filters for FCP, Premiere, and After Effects.
April 18, 2014, 04:21 PM
https://www.videoguys.com/Blog/E/Adobetv+videos+fr...
Check out these great videos on Adobe.tv from NAB 2014 about what is new with Creative Cloud and how professionals are taking advantage of all the great features and performance of Adobe Creative Cloud workflows. New Premiere Pro/After Effects Integration: The Strategy Adobe at Las Vegas SuperMeet Film Riot: Creating a New Paradigm for Filmmakers How NBC’s Saturday Night Live Uses Premiere Pro CC, After Effects CC and SpeedGrade CC to Meet Their Tight Production Deadlines
April 18, 2014, 04:20 PM
http://provideocoalition.com/pvcexclusive/story/pv...
Mathias Omotola, Event Marketing Director at MAXON, and Kevin Aguirre, Designer at Cake Studios in LA, took the time to talk with us about what MAXON showcased at NAB 2014 as well as how people can and do use Cinema 4D. MAXON hosted more than 20 of today’s most talented CG artists...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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