It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 17, 2014, 04:48 PM
http://blogs.adobe.com/aftereffects/2014/04/settin...
Video Playback and Graphics team uses Adobe Creative Cloud and plugins from FxFactory to create period-specific news content To make the set of GNN, the 24-hour news channel featured in Anchorman 2: The Legend Continues as realistic as possible required one essential element: content. It was the job of the video playback and graphics team to fill the dozens of screens throughout the fictional studio with realistic, period-specific news. Rather than filling the screens in post production ...
April 17, 2014, 04:48 PM
http://www.studiodaily.com/2014/04/new-cinemartin-...
Cinemartin said today that its new Cinec Plin plug-in would let Premiere Pro editors working on Windows machines export directly from the timeline using both ProRes and HEVC H.265 codecs. The company said all versions of ProRes 422 are supported, … more »
April 17, 2014, 04:47 PM
http://www.studiodaily.com/2014/04/nab-top-10-big-...
As always, picking the top products at an NAB show is a tricky task. Yes, some technology is an obvious game-changer right out of the gate, while other innovations either founder on their way out of the factory or stumble … more »
April 17, 2014, 04:47 PM
http://postperspective.com/nab-autodesk-debuts-fla...
Las Vegas —At NAB 2014, Autodesk debuted Flame 2015 – the latest iteration of its visual effects and creative finishing system, which offers new creative tools, faster performance, and an end-to-end 4K workflow. Autodesk also unveiled the latest version its video editing software Smoke 2015, but more in that later. First Flame… Flame 2015 allows […]The post NAB: Autodesk debuts Flame and Smoke 2015 appeared first on postPerspective - Randi Altman's postPerspective.
April 17, 2014, 01:03 PM
http://www.artofvfx.com/?p=6662
After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of Industrial Light & Magic in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I – THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.
April 17, 2014, 01:02 PM
http://filmmakeriq.com/2014/04/the-story-of-the-or...
Makeup FX legend Steve Johnson (GHOSTBUSTERS, SPECIES, BLADE 2) sits down with Matt Winston of the Stan Winston School of Character Arts to discuss his nightmare stint as Boss Films’ Creature FX supervisor on the first ill-fated PREDATOR suit, worn by Belgian martial artist and aspiring action star, Jean-Claude Van Damme.
April 17, 2014, 01:01 PM
http://fxfactory.com/info/subtitles/
Subtitles is a powerful plug-in that lets you import, customize and render multi-lingual subtitles in your final output. Subtitles understands popular formats, including YouTube, SubRip, Final Cut Pro markers, and provides many layout features to increase the readability of your text with minimal effort. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com
April 17, 2014, 01:01 PM
http://www.postmagazine.com/Video-Center/NAB/PostT...
Heath Firestone sits down with Post's Linda Romanello to discuss trends and new product introductions at NAB 2014.
April 17, 2014, 01:01 PM
http://www.postmagazine.com/Video-Center/NAB/NAB-2...
Avid's Matt Fuery recaps the week at NAB, including the company's inaugural Connect event, Avid Everywhere, ISIS and its new Media Composer subscription model.
April 17, 2014, 01:01 PM
http://provideocoalition.com/dummy/story/easter-eg...
Take part in a hunt for a newer Easter egg, which might seem like a snark hunt of a mythical beast. First clue: "plabt", a typo for plant, the "factory" where pulsating brains assemble AE bits according to Dan Wilk. Second clue, another hint for the plabt egg(s?) is a feature introduced in CS4, with the last step of typing the word plabt.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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