It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 11, 2014, 09:36 AM
http://walterbiscardi.com/avid-dips-their-toes-int...
Now Avid is dipping their toes into the subscription model and for editors everywhere, this is a GREAT development. Avid offering the subscription model plays well into the small shop / independent editor / independent post house extremely well. Read my full NAB Show 2014 report at the Creative Cow.
April 11, 2014, 12:02 AM
http://www.behindvfx.com/post/82328167166/behind-v...
From Prime Focus World, an in-depth look at the VFX sequence of Pete Travis’s (2012) “Dredd.” Dredd was based on the 2000 AD comic strip Judge Dredd and its eponymous character created by John Wagner and Carlos Ezquerra. Karl Urban stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopic metropolis called Mega-City One that lies in a post-apocalyptic wasteland.
April 10, 2014, 06:10 PM
http://www.digitalproductionbuzz.com/2014/04/live-...
GUESTS: Durin Gleaves , Elaine Kwok, Rob D’Amico, and Derick Rhodes Click to listen to the current show. (Mobile users click the MP3 player underneath image.) *Right click on Download and “Save Link As…” Join Larry Jordan, live from our booth on the show floor, as he talks with: Durin Gleaves, Product Owner, Adobe Professional Audio Durin Gleaves, Product Owner, Adobe Professional Audio stops by to discuss Adobe Audition and why a customer should choose Audition over Pro Tool...
April 10, 2014, 06:09 PM
http://www.premiumbeat.com/blog/gradient-maps-and-...
Combining gradient mapping and blend modes can be used to create fun, unique looks in After Effects.
April 10, 2014, 06:08 PM
http://www.premiumbeat.com/blog/nab-2014-introduci...
The Atomos Shogun brings 4K RAW recording to a sleek, easy-to-use 7" HD monitor.
April 10, 2014, 06:07 PM
http://www.avidblogs.com/nab-2014-avid-booth-photo...
The article NAB 2014: Step Inside Our Booth at the 2014 NAB Show (Photos) by Adam Kranitz appeared first on Avid Blogs - Get the music and post production tutorials and industry insight you need to bring great stories to life—read Avid Blogs..
April 10, 2014, 06:07 PM
http://filmmakermagazine.com/85385-davinci-resolve...
Besides the new URSA and Studio camera announcements, Blackmagic announced some new updates to their popular coloring software DaVinci Resolve. While the newest version boasts over 100 new features, the vast majority of them are improvements to the editing capabilities. In previous versions the editing area of Resolve was more for making tweaks to an ingested timeline to correct any errors or drop in footage that didn’t import properly. Now it’s aiming to be a full fledged editor.
April 10, 2014, 06:06 PM
http://codebass.net/2014/04/10/why-jason-levine-sh...
You might be asking yourself why I think Jason should be the one to represent the whole of Adobe via Adobe MAX 2014, so I’ll show you several ways in which he’s been doing this all along. I’ll leave the Adobe MAX 2013 statistical analysis up to you. It seems pretty representative of what I witnessed at the time.
April 10, 2014, 06:06 PM
http://www.cgchannel.com/2014/04/johannes-kollende...
Freelance motion designer Johannes Kollender has released Wave Deformer, a neat little free Cinema 4D plugin that implements a Tessendorf wave as a deformer in Cinema 4D.
April 10, 2014, 06:06 PM
http://news.doddleme.com/equipment/nab-2014-watch-...
NHK Shows an amazing reel of footage shot in 8K Super Hi-Vision, and it's ruined 4K for me.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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