It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 9, 2014, 11:52 AM
http://cgi.tutsplus.com/tutorials/create-animated-...
Learn how to create and animate eye catching 3D paint strokes using a combination of After Effects and Cinema 4D in this tutorial from Kevin Synder.
April 9, 2014, 11:51 AM
http://vimeo.com/ondemand/bwdvol1/91486738
In this training series you'll learn how to create the ground collapsing effect from the trailer completely from scratch. We’ll cover a lot of topics, including custom fracturing of objects & dynamics, Turbulence FD & X Particle setups plus much more.
April 9, 2014, 11:50 AM
http://fstoppers.com/color-grade-like-a-pro-the-se...
Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I’ve been asked dozens of times about the coloring and process behind my imagery. Well, I’ve finally broken it all down in one quick tutorial.
April 9, 2014, 11:50 AM
http://motionographer.com/2014/04/09/leonardi-da-v...
I’ve done a lot with my career, and yet I feel like I haven’t scratched the surface of my potential. I struggle to balance the demands of the real world (paying bills and feeding the family) with the demands of my creative spirit (making cool shit).
April 9, 2014, 11:49 AM
http://walterbiscardi.com/wallycam-and-juan-salvo-...
Prolific Colorist Juan Salvo discusses the overall theme of Collaboration that is prevalent on the NAB Show floor. Editors are not so concerned with what system you us, but more how can we all collaboration to work together.
April 9, 2014, 11:49 AM
http://www.finalcutpro.es/2014/04/software-autodes...
Autodesk ha presentado sus próximas soluciones para la industria audiovisual durante la feria NAB que se celebra estos días en Las Vegas. Su apuesta más fuerte es el nuevo Flame Premium 2015, que incluye el mítico software de edición y efectos visuales para Linux. Además, con la licencia de Flame Premium, se incluye Lustre para corrección […]
April 9, 2014, 11:49 AM
http://walterbiscardi.com/wallycam-and-oliver-pete...
Longtime editor and trainer, Oliver Peters stops by WallyCam to talk about what he’s found on the NAB Show floor from editorial to cameras. #WallyCam and Oliver Peters talk NAB Show 2014 from walter biscardi, jr. on Vimeo.
April 9, 2014, 11:49 AM
http://www.postmagazine.com/Video-Center/NAB/NAB-2...
April 9, 2014, 11:49 AM
https://www.videoguys.com/Blog/E/Latest+Version+of...
Grass Valley, a Belden brand, announces that EDIUS 7 users can now benefit from HQ/HQX support with Blackmagic Design’s latest version of its color corrector software, DaVinci Resolve 11 – which is being unveiled at NAB 2014. This provides EDIUS users with a smoother import/export workflow with quick access to a powerful and creative color correction toolset. DaVinci Resolve handles complex color grades, multi-point tracking, blurs, and more.
April 9, 2014, 11:49 AM
http://masteringfilm.com/should-a-foley-artist-div...
One of the first questions that a Foley artist will be asked, whether it is a formal interview or a casual encounter is, “What did you use for (name of prop or event) in (name of movie)?” Most Foley artists, unless they have specific and routine props for most cues will respond with, “I don’t...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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