It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 9, 2014, 12:44 PM
http://soundandpicture.com/2014/10/audio-technica-...
Leeds, UK, 09-10-2014: Audio-Technica is to unveil the latest addition to its flagship 50 Series studio microphone range at the AES Convention in Los Angeles on October 10. The AT5045 is a hand-built, large-diaphragm, stick-design side-address condenser instrument microphone with a cardioid polar pattern designed to deliver natural, well-balanced sound with exceptional realism and depth. Available separately or as stereo pairs (AT5045P), the mics are engineered to meet the most critical requirem...
October 9, 2014, 12:43 PM
http://www.sonicscoop.com/2014/10/09/is-the-master...
Years ago, the term “Mastering Engineer” was a very literal one. The “M.E.” was simply the person responsible for creating the master copies of a recording, from which all commercial duplicates could be made.
October 9, 2014, 12:43 PM
http://soundandpicture.com/2014/10/sound-call-duty...
At Sound & Picture we get excited about all the things we touch because we find stories that we want to write. No native advertising, no sneaky click bait links – just content we love and we hope you do, too.
October 8, 2014, 04:58 PM
http://www.premiumbeat.com/blog/fundamentals-of-po...
Learn the basics of post-production sound in this helpful video lesson created by Filmmaker IQ.
October 8, 2014, 04:57 PM
http://feedproxy.google.com/~r/richardharringtonbl...
Over time, Adobe Premiere Pro CC has made it a lot easier to work with custom audio interfaces and complex effects. This applies to the Audio Track Mixer as well. There are many cool things you can do in the Audio Track Mixer including combining multiple effects, and we’ll explore how some of these work in this course. Improved Audio Workflows: Seeing Effect Interfaces in the Audio Track MixerTo learn more, I’ve created an exciting course called Premiere Pro: Creative Cloud Updates,...
October 8, 2014, 04:29 AM
http://logic-pro-expert.com/logic-pro-blog/2014/10...
Knowing which key commands to use and when is what separates Logic Pro power users from the mere mortals. We all have out favourites that we use every day; we all ignore some we shouldn’t, we all have some we can never remember, and some we can never forget – even when Apple decides we should!
October 7, 2014, 06:56 PM
http://www.hitfix.com/in-contention/trent-reznor-d...
With "Gone Girl" in theaters, your ears are being treated to yet another untraditional feat of film music composition from Trent Reznor and Atticus Ross. It's their third collaboration with director David Fincher, and maybe their most intriguing. We talked to Reznor recently and hope to go even deeper on the work later in the season, but for now, let's consider the tradition his and Ross' contribution joins.
October 7, 2014, 01:03 PM
http://www.avidblogs.com/aes-los-angeles-2014-trou...
The article AES Los Angeles 2014: Learn How To Troubleshoot Software Issues at this Broadcast & Streaming Media Track Session by Jonathan Abrams appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
October 7, 2014, 05:11 AM
http://masteringfilm.com/production-mic-technique-...
Rose’s Rules: • You can fake almost any other aspect of the track, and undo or change it if you’re not happy with the result. But bad dialog recordings are forever. • You can write, direct, shoot, edit, create graphics, and mix the whole project all by yourself, all in your own sweet time, and...
October 6, 2014, 12:27 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CULVER CITY, CA — Sound work for The Equalizer, the new action-thriller from director Antoine Fuqua and Columbia Pictures, and starring Denzell Washington, was completed at Sony Pictures Post Production Services (www.sonypictures.com) on the Sony Pictures lot in Culver City. Supervising sound editor Mandell Winter and sound designer David Esparza led the veteran sound editorial team. Re-recording mixers Daniel J. Leahy and Steve Pedersen mixed the soundtrack in Dolby 7.1 in the studio’...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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