To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Work Editorial Welcomes Editor Daniel Mitchell to London Team
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https://postperspective.com/work-editorial-welcome...
Behind the Title: Final Cut Editor Ashley Kreamer
February 11, 2022, 08:42 AM
https://postperspective.com/behind-the-title-final...
Ashley Kreamer is a senior editor at Final Cut, a creative editorial company working in advertising, film and TV. The studio has offices in New York, London and Los Angeles. Prior to COVID, Kreamer worked out of the studio’s New York City location. Let’s find out more about Kreamer… Can you talk about what your job entails? Continue reading → February 9, 2022 The post Behind the Title: Final Cut Editor Ashley Kreamer appeared first on postPerspective.
We’re Getting Closer to ‘Mind Reading’
February 11, 2022, 08:41 AM
http://www.philiphodgetts.com/2022/02/were-getting...
While NVIDIA’s Canvas isn’t reading minds, research projects suggest we are moving toward being able to capture images from brain waves, or even hear internal voices. These research projects are a very long way from the premises of that first sentence, but advances happen so quickly it won’t be long before they move out of […] The post We’re Getting Closer to ‘Mind Reading’ first appeared on The present and future of post production business and technology.
This is a big reason why physical media isn't dead
February 11, 2022, 08:40 AM
https://www.redsharknews.com/this-is-a-big-reason-...
Watching films from physical media may well still have huge advantages even in a world of Netfllix and Amazon. Here's why you shouldn't ditch those DVDs and Blurays just yet.
Analogue Wayback, Ep. 3
February 11, 2022, 08:40 AM
https://digitalfilms.wordpress.com/2022/02/11/anal...
And you thought your computer was expensive! If you’ve only been in the industry for the past 10 or 15 years and your idea of a post production facility is an office with a few iMacs, then you have no idea what sort of fun you’ve missed. I’ve been fortunate to have been part of […]
Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
February 10, 2022, 09:01 AM
https://www.provideocoalition.com/editors-on-editi...
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna from her editing work on shows such as “The Crown” and “Three Girls” and for the upcoming feature “Death on the Nile.” Úna has also been nominated for an ACE Eddie for “Belfast.” Enjoy the episode! [...]Read More... from Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
Sundance: Editor Seth Anderson on Editing TikTok, Boom. Documentary
February 9, 2022, 09:03 AM
https://postperspective.com/sundance-editor-seth-a...
Screened at this year’s Sundance, the documentary TikTok, Boom. dissects the incredibly popular social media platform TikTok. The film examines the algorithmic, sociopolitical, economic and cultural impact of the app — the good and the bad. The doc also features interviews with a handful of young people who have found success on TikTok. Continue reading → February 8, 2022 The post Sundance: Editor Seth Anderson on Editing TikTok, Boom. Documentary appeared first on postPerspective.
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
February 9, 2022, 09:02 AM
https://www.provideocoalition.com/an-update-on-kyn...
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It doesn’t matter which NLE you use, Kyno can make the whole post-production process easier as it’s a workflow tool that can do too many things to list here. I first used (and covered Kyno) back in [...]Read More... from An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
AI is revolutionising video codecs. Here's an impressive demonstration how
February 9, 2022, 09:02 AM
https://www.redsharknews.com/ai-is-revolutionising...
Replay: NVIDIA has released a demo of how it is using AI to revolutionise video conferencing. This is the future of video codecs.
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
February 8, 2022, 08:40 AM
https://www.provideocoalition.com/geektip-use-an-a...
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up for 100% for 100% electronic colorbars, or 133% for 75% electronic colorbars, and… that’s about it. Sure, you can hide the skintone indicator, and switch to Mark3 orientation (why?), but if you’re trying to line up [...]Read More... from GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
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