It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 3, 2014, 10:48 AM
https://www.videoguys.com/Blog/E/NLE+Tips++Week+2+...
If you are used to editing in Adobe Premiere Pro or Apple Final Cut Pro “legacy”, then you are familiar with the concept of tabbed sequences. That is, you can have several open sequences, which each appear as a tab in the timeline window. This lets editor work between them, using copy and paste functions or compare one version of an edit to another.
March 3, 2014, 10:48 AM
http://cgi.tutsplus.com/tutorials/how-to-change-co...
In this tutorial, you'll learn how to use expressions to link the rotation of one object to the color of multiple others. This will be done in a way that can be edited to fit different scenarios.
March 3, 2014, 10:47 AM
http://www.indiewire.com/article/television/academ...
"Heroes" is not a great Oscar theme, though you can see how the Academy landed on it. How best to connect the Hollywood of award season, tellers of weighty ("based on true") stories, with that of the summer, when the increasingly giant films that drive the industry and get seen by vastly wider audiences come out? Well, say they're all about heroes, either ordinary or super.
March 3, 2014, 10:47 AM
http://www.3dvf.com/actualite-8954-vfx-500-manifes...
As expected , a new manifestation of VFX artists was held on Sunday on the sidelines of the Oscars, with the main demand the end of fiscal aid.
March 3, 2014, 10:47 AM
http://fstoppers.com/in-depth-look-into-the-creati...
Eric Paré is back with another breathtaking timelapse project known simply as “Windscale”. Eric is best known for his amazing light-painting and bullet-time project, “Lightspin“. While on a vacation journey from Montréal to Nevada for the popular Burning Man festival Eric and friend Marie-Line Migneault stopped to film this breathtaking short film.
March 3, 2014, 06:06 AM
http://www.artofvfx.com/?p=6197
A huge congratulations to Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould and the whole Framestore team to have won the Oscar for Best Visual Effects for GRAVITY !
March 3, 2014, 06:06 AM
http://blog.dolby.com/2014/03/two-dolby-atmos-film...
Because of the nature of our work, Dolby has lots of friends in Hollywood and we’re excited for all the winners at this year’s Academy Awards®. But we have to confess to being particularly thrilled to see the many awards bestowed on Gravity and Frozen, two movies that made spectacular use of our Dolby® Atmos™ cinema sound technology.
March 3, 2014, 06:05 AM
http://www.theguardian.com/film/2014/feb/28/gravit...
After picking up a galaxy of awards, the space thriller Gravity is tipped for further glory at the Oscars on Sunday. The film might look like classic big budget Hollywood, but has a starring role in the British film industry. Almost everything on screen, from the gorgeous images of light bouncing off the earth, the constellations of stars, down to the astronauts' space boots, was conjured up on computers at a studio in Soho.
March 3, 2014, 06:05 AM
http://wolfcrow.com/blog/why-are-there-four-crop-f...
What is the crop factor and why are there four of them? This article helps you sort out the mess.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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