It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 19, 2014, 01:39 PM
http://provideocoalition.com/adobe/story/graham-el...
Growing up, Graham Elliott desperately wanted to become a pilot and devoted himself to learning about flight. At 17 he received a scholarship to the RAF in London and within a week he was flying solo. Although Elliott ultimately decided he didn’t want to be in the Air Force, he took away...
February 19, 2014, 01:38 PM
https://www.videoguys.com/Blog/E/Grass+Valley+ADVC...
There are two universal problems in the live events market where IMAG (image magnification) is used to supplement the live action onstage. The first is the seemingly inevitable lip-sync delay caused by system latencies between the lenses of the cameras and the final output on the projection screens. This is especially true of smaller systems depending on a switcher/scalar/synchronizer device to connect together all the video components. The second is the long-term reliability, and short-te
February 19, 2014, 10:36 AM
http://www.dvinfo.net/article/misc/science_n_techn...
The HPA Tech Retreat is an annual gathering where film and TV industry folks discuss all manner of technical and business issues. The first full day is a “supersession”; this year the topic is: THE NEW NORMAL IS ANYTHING BUT – HOW DIGITAL TECHNOLOGY FROM CREATION TO CONSUMPTION IMPACTS EVERYTHING HPA’s Jerry Pierce: the supersession Read More
February 19, 2014, 10:36 AM
http://www.fcp.co/final-cut-pro/news/1351-motion-v...
MotionVFX has just released a new pack of film strip and light burns for FCPX. Priced at $49 the new pack has been made with 4K elements for those extra pixels.
February 19, 2014, 10:35 AM
http://feedproxy.google.com/~r/CrewsControl/~3/VxW...
We have been shooting tapeless now for over a decade but in my experience Producers are still not accounting for media transfer time within the shoot day. With different codecs it’s important that both the crew and the client be on the same page in that regard. Now the crew needs to be aware of what card or drive they are recording to and which one needs to be moved to a client hard drive or backed up. We need to be ready to download the footage at moment’s notice. Read More
February 19, 2014, 10:35 AM
http://www.screenlight.tv/blog/2014/02/17/speciali...
Would you like to take on fewer clients and make your video business more profitable at the same time? Who wouldn’t? Some video businesses seem to have a magic touch. They make a lot of money, get to work with the best clients, and they’ve built their reputations as experts. But there are many others—companies that do top-quality work—battling it out for nightmare clients. What separates these companies isn’t always talent or luck. A lot of it has to do with how they position th...
February 19, 2014, 10:31 AM
http://www.culturalweekly.com/rich-hill-state-nati...
Is “hope” all that remains of the emblematic American dream? In the aftermath of our nation’s financial collapse and the technological and global upheaval of recent decades, one is prompted to ponder this question in watching “RICH HILL.” The documentary portrait of three youths and their families struggling to survive in the mined-out Midwestern town of Rich Hill, Missouri, provides a stark contrast to those idyllic Norman Rockwellian images of small-town, rural America. “RICH HILL...
February 19, 2014, 05:43 AM
http://www.fxguide.com/featured/ilms-scientific-so...
ILM is no stranger to the SciTech Awards; numerous innovations crafted by its artists and engineers have been recognized with prestigious Scientific and Technical Awards from the Academy of Motion Picture Arts and Sciences. The studio’s latest two SciTech honors were awarded recently for ILM’s GPU-based simulation and volume renderer Plume and the Zeno application framework. fxguide spoke to key members of ILM’s team about these in-house visual effects tools.
February 19, 2014, 05:43 AM
http://provideocoalition.com/ssimmons/story/useful...
It’s been awhile since we’ve looked at some Useful Tools for Editors so with this new batch of utilities that have popped up recently let’s have a look. We’ve got quite a few for Final Cut Pro X, a color correction app for those with deep pockets and one that might help with tricky file format conversions.
February 19, 2014, 05:43 AM
http://www.dvinfo.net/article/misc/science_n_techn...
The HPA Tech Retreat is an annual gathering where film and TV industry folks discuss all manner of technical and business issues. The first full day is a “supersession”; this year the topic is: THE NEW NORMAL IS ANYTHING BUT – HOW DIGITAL TECHNOLOGY FROM CREATION TO CONSUMPTION IMPACTS EVERYTHING HPA’s Jerry Pierce: the supersession Read More
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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