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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ACE Preview: Editors on Shaping Oscar Performances

February 4, 2014, 01:51 PM

http://www.hollywoodreporter.com/behind-screen/ace...

American Cinema Editors’ Eddie Awards — which will be handed out Feb. 7 at the Beverly Hilton—has proved to be a quite reliable Oscar bellwether. In fact, in nine of the past 10 years, the winner of the best edited dramatic feature Eddie has gone on to win the Oscar in editing. Additionally, in six of the past 10 years the winner in the ACE category for best edited dramatic or comedy/musical feature went on to win the Oscar for best picture.

Jens Rumbert joins Codex as director of product st

February 4, 2014, 11:31 AM

http://postperspective.com/jens-rumbert-joins-code...

London — Codex has hired Jens Rumberg as its new director of product strategy. Rumberg brings over a decade of experience in motion picture image-science, digital camera and workflow development to Codex, and will focus on developing the company’s current and next-gen product ranges for motion picture and high-end TV production and post. He comes to Codex (www.codexdigital.com) […]The post Jens Rumbert joins Codex as director of product strategy appeared first on postPerspective - R...

The ultimate Final Cut Pro X edit setup part 2

February 4, 2014, 11:31 AM

http://www.fcp.co/final-cut-pro/tutorials/1340-the...

Tuesday afternoon means one thing, a brand new episode of MacBreak Studio! We pick it up where we left off with the boys exploring their ultimate Final Cut Pro X system in more detail. We also publish their FCPX (10.1) presentation from the recent LACPUG meeting. Grab a coffee!

Is Wacom's Cintiq Companion tablet the best of bot

February 4, 2014, 11:30 AM

http://www.creativebloq.com/3d/wacoms-cintiq-compa...

For the last couple of years there has been a call for Wacom to move into tablet computing versions, so artists can work remotely and on the move. Now Wacom has released the Cintiq Companion, which comes in two flavours: a Windows and an Android version, both of which can be hooked up to your desktop or laptop to serve as a normal Cintiq. This review applies to the Android model.

FCP X: When to Use Optimized, Proxy, or Native Med

February 4, 2014, 11:30 AM

http://www.larryjordan.biz/fcpx-when-to-optimize-m...

There are three different types of video media used by Final Cut Pro X...

Post-Nomination Predictions: Who Will Oscar Love?

February 4, 2014, 05:47 AM

http://www.firstshowing.net/2014/post-nomination-p...

With the Oscar nominations set in stone (save for one retraction), it's time for some new predictions! Obviously, my final set of predictions from January

Best Superbowl Ad VFX

February 4, 2014, 05:47 AM

http://www.fxguide.com/featured/3-of-the-best-the-...

It was the most watched Super Bowl ever – with 111.5 million viewers – and the 2014 event’s ads received not only high exposure during the game but also online. We break down three of the most popular commercials for Kia, AAA and Audi, and the visual effects teams from Digital Domain, MPC and The Mill who were behind them.

They Came From Within: B-Movie Title Design of the

February 4, 2014, 05:46 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“...but the nurse film was more successful than the motorcycle film. It was a very simple decision at that point to make another nurse film.” — Producer/Director Roger Corman, Bright Lights, 1975 ...

Meet The Post Producer: Trevor M. Carlee

February 3, 2014, 02:52 PM

http://postperspective.com/meet-post-producer-trev...

NAME: Trevor M. Carlee (@trevorcarlee, @joeblowgamer) COMPANY: Van Nuys, CA’s Bunim/Murray Productions (www.bunim-murray.com) CAN YOU DESCRIBE THE COMPANY? I work for Bunim/Murray Productions, a reality television production company responsible for a number of shows from The Real World to Project Runway to Keeping Up With the Kardashians. The company provides production and post production for the […]The post Meet The Post Producer: Trevor M. Carlee appeared first on postPerspective - R...

Create Infographics in Final Cut Pro X with Data P

February 3, 2014, 02:49 PM

http://prmac.com/release-id-65184.htm

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