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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Quick chat: ‘Sleepy Hollow’ VFX supervisor Jas

January 30, 2014, 06:35 PM

http://postperspective.com/quick-chat-sleepy-hollo...

BURBANK — The first season of Fox’s Sleepy Hollow, which recently had its season finale, averaged anywhere from 30 to 300 visual effects shots. The show’s VFX supervisor, Jason Zimmerman, had three go-to houses — Synaptic VFX, Pixomondo (www.pixomondo.com) and Fuse (www.fusefx.com) — to create what the producers wanted: feature-film-level visual effects to help illustrate its re-telling of the […]The post Quick chat: ‘Sleepy Hollow’ VFX supervisor Jason Zimmerman appeared...

Get Started Fast with Avid for Final Cut Pro 7 Edi

January 30, 2014, 06:35 PM

http://www.avidblogs.com/final-cut-pro-7-fast-comm...

The post Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 2 appeared first on Avid Blogs.

The Ultimate Final Cut Pro X System

January 30, 2014, 06:34 PM

http://provideocoalition.com/mspencer/story/the-ul...

  Are you thinking of upgrading your editing hardware? Considering the new Mac Pro? This week on MacBreak Studio, Steve Martin and Mark Spencer from Ripple Training kick off a 4-part series exploring the ultimate 4K Final Cut Pro X editing system built around...

Launching the Cinefex Classic Collection

January 30, 2014, 06:33 PM

http://cinefex.com/blog/launching-the-cinefex-clas...

Stop your grinnin’ and drop your linen! Yes, it’s true: the entire Cinefex back catalogue is now available to download for iPad!

Dialogue on the move

January 30, 2014, 01:31 PM

http://designingsound.org/2014/01/dialogue-on-the-...

When I saw/heard Gravity last year it set me of on an exploration of dialogue panning to such an extent that I experimented with some fairly extreme panning in the film I was working on at the time. My experiment proved to be, well, inconclusive at best. So I went back to Gravity to see just how the panning worked within the context of the film, then decided to look beyond it and discovered some interesting dialogue panning going on in Cars (2006) and Strange Days (1995) as well.

So how does Final Cut Pro X track external files?

January 30, 2014, 01:26 PM

http://www.fcp.co/final-cut-pro/articles/1333-so-h...

We have some very clever people on our Forum, one of them is Quentin Stafford-Fraser who has done some expert digging on how FCPX looks for external media. Did you know you can move media to another folder and FCPX will track it?  No, neither did we...

Review: G-Tech G-Dock ev with Thunderbolt

January 30, 2014, 01:26 PM

https://www.videoguys.com/Blog/E/Review+G+Tech+G+D...

The G-Dock ev is a desktop two-bay docking chassis, labeled EV because it is part of G-Technology’s Evolution Series. The G-Dock ev measures just under 8 inches long, 5” wide, and 3.5” high, encased in the brushed aluminum that screams “Mac-compatible product to sit alongside your Mac Mini, iMac, or even the older-style Mac Pro and not be aesthetically out of sorts.”

Sorenson Squeeze 9 - The Best Video Encoder Just G

January 30, 2014, 01:26 PM

https://www.videoguys.com/Blog/E/Sorenson+Squeeze+...

The Best Video Encoder Just Got Better & More Affordable! Sorenson Squeeze 9 Specials Available Now through 2/14/14 at Videoguys.com Upgrade to Sorenson Squeeze 9 Pro from ANY version of Sorenson Squeeze for only $149 now through 2/14/14. This is a savings of as much as $350 and is the best upgrade offer ever made! Order now!!

Working with RAW Footage in Pomfort ClipHouse

January 30, 2014, 01:26 PM

http://www.premiumbeat.com/blog/working-with-raw-f...

Need to prepare your RAW footage for video editing? ClipHouse is a multi-function app that gets the job done quickly and simply.

Promo, TriCaster 40 4-camera switch, conference an

January 30, 2014, 01:26 PM

https://www.videoguys.com/Blog/E/Promo+TriCaster+4...

Synthesis Multimedia Productions uses a four camera switch to produce conferences and events, including powerpoint presentations that are live edited into the final presentation. This presentation can also be streamed live to a global audience

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