It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 30, 2014, 01:26 PM
http://www.avidblogs.com/sibelius-7-5-fast-fundame...
The post Get Started Fast with Avid Sibelius 7.5: Lesson 1 appeared first on Avid Blogs.
January 30, 2014, 01:25 PM
http://www.studiodaily.com/2014/01/overnighters/?u...
We Make Movies and StudioDaily present How We Make Movies at Sundance Interviews with independent filmmakers, direct from Park City, Utah. Sponsored by Microsoft Surface, ASSIMILATE, EIZO and AJA Amanda Lippert interviews Sundance Award-winning director Jesse Moss, whose documentary The … more »
January 30, 2014, 01:25 PM
http://postperspective.com/cloud-rendering-helps-v...
Three films nominated for Oscars this year feature visual effects that were rendered in the cloud via Zync’s VFX cloud rendering and storage platform. Best Picture nominee American Hustle featured a number of visual effects shots, created by Boston studio Zero VFX (www.zerovfx.com). SF-based Atomic Fiction (www.atomicfiction.com), which contributed work on two films nominated for […]The post Cloud rendering helps VFX shine in Oscar-nominated films appeared first on postPerspective - Rand...
January 30, 2014, 01:25 PM
http://www.btlnews.com/news/the-amazing-spider-man...
Sony Pictures Entertainment announced today that it is teaming with both Dolby Laboratories and Barco to mix The Amazing Spider-Man 2, the next chapter in the story of Peter Parker, in both the Auro 11.1 system and the Dolby Atmos cinema sound system, to deliver a more natural and realistic soundtrack that moves sound around and above audiences. These technologies open new possibilities to enhance storytelling through sound, giving the moviegoer a more immersive, exciting and compelling expe...
January 30, 2014, 01:23 PM
http://thedissolve.com/news/1359-alone-yet-not-alo...
Vulture recently published an extensive accounting of Harvey Weinstein’s Oscar campaign shenanigans, a laundry list of dirty tricks long enough to impress Richard Nixon. Life Is Beautiful’s Robert Benigni won an Oscar after moving to Los Angeles during awards season and schmoozing at industry parties every night for a month. The same year, Weinstein paid $5 million on Shakespeare In Love’s Oscar campaign, more than twice the norm...
January 30, 2014, 05:45 AM
http://thedissolve.com/features/interview/390-phil...
Music is a key component of filmmaking, but it’s hard to think of many films where image and sound are as inextricable as they are in Godfrey Reggio’s Qatsi trilogy: Koyaanisqatsi, Powaqqatsi, and Naqoyqatsi. Philip Glass’ scores hold together Reggio’s tumbles of abstract imagery and philosophical musings, providing a sense of unity and progression that makes them enthralling. Glass and Reggio’s fourth feature-length collaboration, Visitors, had its world première at the Toronto Inter...
January 30, 2014, 05:44 AM
http://www.redsharknews.com/post/item/1434-major-n...
It's a big day for the Lightworks team today because they're releasing a big new upgrade. Even though it's a "point" release, there's a lot of important stuff in there, so let's dive straight in
January 30, 2014, 05:41 AM
http://feedproxy.google.com/~r/norendercom/~3/y2Sb...
Con este post iniciamos una nueva Guía norender.com dedicada a la colorimetría y en ella […]
January 29, 2014, 05:40 PM
http://www.fxguide.com/quicktakes/3ds-max-imum-imp...
Eddie Perberg is the product manager for 3ds Max and he is the third product manager in the last 2 -3 years. Yet Perberg, who comes from a technical background, especially in design visualization, is part of a new commitment to the 3ds Max user community.
January 29, 2014, 05:40 PM
http://latenitefilms.com/2014/01/30/fcpxs-hidden-d...
Back in November last year, I was listening to a FCPX Grill episode with Alex Gollner, where he talked about talked about a secret “debug mode” he discovered whilst looking through all the FCPX .plist and .nib files.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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