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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Le puzzle à 1000 pièces

January 29, 2014, 11:21 AM

http://journaldunemonteuse.wordpress.com/2014/01/2...

"C’est ça la richesse du langage du cinéma, c’est comme dans la poésie où tu re-motives les mots." me dit-elle. Les bières d’après le travail… On analyse… On décompresse… On se rassure après s’être découragées… Parce que plus rien n’avait … Lire la suite →

The International 3D and Advanced Imaging Society

January 29, 2014, 11:19 AM

http://www.btlnews.com/awards/the-international-3d...

The International 3D and Advanced Imaging Society presented the 5th annual Creative Arts Awards Tuesday night at the The Steven J. Ross Theatre on the Warner Bros. studio lot. Lumieres were given to filmmakers who demonstrated outstanding achievement in 3D and 4K production.

Formosa Group launches new music editorial divisio

January 29, 2014, 11:18 AM

http://postperspective.com/2014/01/formosa-group-l...

West Hollywood — Formosa Group, a post production sound editorial company serving film and interactive clients, has formed Formosa Music Group to provide music editorial services for feature films and television. Leigh Kotkin is director of music editorial services runs the new division, which works with studios, directors, producers, composers, picture editors and music supervisors […]

Searching for a Thunderbolt Raid

January 29, 2014, 11:18 AM

https://www.videoguys.com/Blog/E/Searching+for+a+T...

Manufactures are starting to release more selections for Thunderbolt equipped RAIDS. Many of these raids have different configurations in capacity, size, and speed. Choosing a Thunderbolt RAID can be a little difficult, as different manufactures have different features. In addition to this, Intel announced Thunderbolt 2 which can be found within the latest generation of MacPro. This may be something to consider, if you were looking to upgrade to latest MacPro. Which one is the right choice for y

Animate like a Pixar Pro: 10 expert tips

January 29, 2014, 11:18 AM

http://www.creativebloq.com/animation/animate-pixa...

Get expert animation advice from Pixar’s directing animators Andrew Gordon and Robb Denovan as they reveal 10 tips and tricks.

HFR is OK…Now can we finally do 30 fps?

January 29, 2014, 11:17 AM

http://www.filmjournal.com/filmjournal/content_dis...

The rate of 24 frames per second is insufficient for a high-quality motion imaging system. Period. There, I said it. I may as well start with my cards on the table. It's a painfully clear fact that 24 fps is inadequate for representing the motion of any faster movement than two people sitting and talking to each other. Most people probably have no idea of the trouble filmmakers have to go to in order to keep the illusion of motion from breaking down. Part of the art of a cinematographer is learn...

4K video monitoring card for Adobe CC

January 29, 2014, 11:17 AM

http://www.broadcastbeat.com/index.php/matrox-moji...

Matrox® Video today announced the immediate availability of 10-bit H.264 intra-frame rendering with the Matrox Mojito™ 4K quad 3G-SDI 4K video monitoring card for use with Adobe® Premiere® Pro CC on Windows® platforms. Matrox Mojito 4K enables realtime monitoring and output of video footage at resolutions up to 4096 x 2160 and at frame rates up to 60 fps (4Kp60).

Movies In Color: Week Behind The Candelabra

January 29, 2014, 05:45 AM

http://moviesincolor.com/post/74911262834/steven-s...

Steven Soderbergh Week Behind The Candelabra, 2013...

Music To Edit By (In the Background, Not the Timel

January 29, 2014, 05:44 AM

http://provideocoalition.com/ssimmons/story/music-...

Do you like to listen to music while working post-production? I very often do depending on the task at hand. Certain parts of post-production lend themselves well to music: color grading, logging and marking b-roll, stringing out a paper edit just to name a few. I was doing some of that...

Interview: Randy Coppinger

January 28, 2014, 08:14 PM

http://designingsound.org/2014/01/interview-randy-...

Randy Coppinger has been dealing with voice and microphones for over sixteen years and is currently Dialog Production Supervisor at Disney Publishing Worldwide. He is active on twitter and his blog with studio anecdotes and thoughts concerning asset management, microphones, acoustics, recording and anything else related to audio and voice. In this interview we tackle topics ranging from microphones to voice talent, organisation and quality.

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