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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Red Giant Magic Bullet Suite: Looks 4 and Colorist

April 18, 2017, 07:30 PM

http://postperspective.com/red-giant-magic-bullet-...

By Brady Betzel Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.” Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading → April 18, 2017 The post Red Giant Magic Bullet Suite: Looks 4 and Colorist IV appeared first on Randi Altman's postPerspective.

Graded Footage Samples from the AXIOM Beta Camera

April 12, 2017, 09:21 AM

http://theangryvideoguy.com/index.php/2017/04/12/a...

The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.

#color grading#beta#cameras#apertus#axiom
New BenQ Rec. 709 Technicolor Certified Monitor

April 10, 2017, 07:29 AM

http://theangryvideoguy.com/index.php/2017/04/10/b...

BenQ began shipping their new 100% sRGB and Rec. 709 27 inch monitor. With an IPS LED display with wide viewing angles and a max resolution of 2560×1440, it may be a nice budget option for freelance video pros.

#monitors#benq#rec. 709#srgb
Speed Change Techniques In Resolve 12.5

April 6, 2017, 05:06 AM

https://www.premiumbeat.com/blog/speed-change-tech...

Learn how to change the speed of your video projects in DaVinci Resolve 12.5 — and more.

Capture any colour with the Cube Portable Color Di

April 4, 2017, 05:31 AM

http://www.creativebloq.com/news/capture-any-colou...

Keep a world of colour right at your fingertips with this powerful tool.

New RED IPP2 Demosiacing Algorithm w Images

April 3, 2017, 09:25 AM

http://theangryvideoguy.com/index.php/2017/04/03/n...

Following up my IPP2 Writeup , RED has released Build 6.4.17 for DSMC2 Cameras along with an updated Redcine-X. IPP2 promises better management of challenging colors, an improved demosaicing algorithm to achieve higher detail at the same pixel resolution. See the before/afters when demosiaced with the new RedcineX

#color grading#color correction#camera#red digital cinema#digital cinema#camera tech#ipp2
Sony FS5 Will Get HDR Firmware Update

March 27, 2017, 12:40 PM

http://theangryvideoguy.com/index.php/2017/03/27/s...

The Sony FS5 and PXW-Z150 will receive a firmware upgrade this summer adding HDR support to the cameras. Following BT.2020 & BT.2100 specifications, it adds support for Hybrid Log Gamma (HLG) and Rec. 2020 color space. Let’s delve into what that means.

#sony#firmware#bt.2020#bt.2100#hlg#hybrid log gamma#rec.2020#sony fs5
VariCam: Exquisitely sensitive and colourful [spon

March 27, 2017, 09:19 AM

http://www.redsharknews.com/production/item/4465-v...

With a dual native ISO, 14+ stops of dynamic range and enhanced colour rendition, the new generation of Varicams have remarkable and unique talents. panasonicvaricamPlanet EarthVariCam 35Varicam LTDual native ISO

New Blackmagic Design Announcements from Event

March 2, 2017, 02:14 PM

http://theangryvideoguy.com/index.php/2017/03/02/b...

Recap: Blackmagic Design announces new products including 2 New DaVinci Control Panels, A New URSA Cinema/Broadcast camera - the URSA Mini Pro, along with an upgrade option for URSA camera owners.

#blackmagic design#blackmagic#post production
Irwin Young: Film Processing History & Color Blind

March 2, 2017, 01:50 PM

http://categoryfivestudios.com/irwin-young-film-pr...

By: Mitch Jacobson, Category Five Studios | NYC The geek in me feels like a groupie today except I’m not backstage at a rock concert.  I’m at the historic DuArt Film Lab Building in New York City and the “rockstar” I’m here to meet is […]

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