It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 23, 2019, 01:07 PM
http://www.fcp.co/final-cut-pro/articles/2219-mult...
If you want to implement a powerful new technology in your existing production pipeline, you also should be willing to step out of your comfort zone, and to adapt your workflows, so that every aspect of your production process can fully benefit from this new technology. That's what the post-production team of Producciones del Barrio in Barcelona has been doing since they moved to Final Cut Pro in 2016.
October 23, 2019, 01:07 PM
https://fxfactory.com/blog/effects-2/echoremover-2...
Plugin for removing echo from your videos and podcasts.
October 23, 2019, 01:07 PM
https://www.provideocoalition.com/lets-edit-with-m...
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media Composer. When editors think of Lens Flares, they think of JJ Abrams type lens flares that are more stylistic than anything. Lens Flares do add a stylistic look to your footage, but they can also be... The post Let’s Edit with Media Composer – Working with Lens Flare 3D appeared first on ProVideo Coalition.
October 22, 2019, 01:09 PM
https://www.provideocoalition.com/after-effects-cl...
3D Lighting is probably one of the more underused creative tools in Adobe After Effects. It’s not just for lighting complex 3D worlds; it can also be used to add “sexiness” to flat 2D sources such as videos. One of the more advanced 3D lighting tricks is “light transmission” – using the colors present in one... The post After Effects Classic Course: Light Transmission appeared first on ProVideo Coalition.
October 20, 2019, 01:49 PM
https://digitalfilms.wordpress.com/2019/10/19/stor...
Recently I’ve written about storage strategies designed to future-proof access to your files. Other than questions of whether future software can still play your files, the biggest issue is whether of not the media is playable at all in a number of years. Unfortunately, there are simply no guarantees. All media can and does fail. […]
October 20, 2019, 01:49 PM
https://lesterbanks.com/2019/10/a-new-and-easy-way...
Jonas Pilz shows how easy it is to loop spline animations in C4D R21 using a new useful feature. Creating spline animations is super-easy in C4D. If you want an object to follow along a
October 19, 2019, 07:29 PM
https://www.screeneditors.com.au/blackmagic-design...
Blackmagic Design creates the world’s highest quality video and film products, including DaVinci Resolve, the standard for high end post production and finishing and the world’s only solution that combines professional 8K editing, color correction, visual effects and audio post production all in one software tool. www.blackmagicdesign.com/au
October 19, 2019, 07:29 PM
https://www.redsharknews.com/post/item/6725-can-yo...
Emmy Award Winning Editor Simon Smith discusses his workflow on Chernobyl and how it’s enabled working from home. ChernobylSimon SmithEditingAvid
October 19, 2019, 07:29 PM
https://www.studiodaily.com/2019/10/gemini-man-dig...
In 2012, veteran VFX supervisor Bill Westenhofer shared an Academy Award for spearheading the stunning VFX work that led to the creation of a believable living, breathing tiger in director Ang Lee’s award-winning film, Life of Pi. Fast forward several years, with the state of the art hurtling past previous roadblocks, and Westenhofer found himself receiving […] The post VFX Supervisor Bill Westenhofer on Gemini Man and Making a Digital Movie Star appeared first on Studio Daily.
October 19, 2019, 07:28 PM
https://www.studiodaily.com/2019/10/nab-show-ny-di...
Two cinematographers speaking on an NAB New York panel agreed that the mix of speed and precision required on a commercial set makes the DIT a valuable collaborator when setting the look of a given spot. But they differed, somewhat, on the exact nature of that collaboration. Joe DeSalvo, a New York-based DP who specializes in automobile […] The post NAB Show NY: Why the DIT Is Key to Success on Set appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.