It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 27, 2019, 12:50 PM
https://fxfactory.com/blog/effects-2/title-pop-2-f...
78 customizable, animated titles and 2 bonus background generators.
September 25, 2019, 01:40 PM
http://www.fcp.co/final-cut-pro/articles/2212-fcp-...
"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?" In this show, we will be speaking to Carsten Orlt who we recently featured on FCP.co, he jumped!
September 25, 2019, 01:40 PM
https://www.provideocoalition.com/avid-editors-edi...
I normally don’t to a lot click-bait, scare-mongering blog posts trying to keep up with some breaking news but there is a rather odd problem that has been cropping up for a day or so around “Hollywood” (I put Hollywood in quotes as this could potentially affect anyone) but it’s this Variety article that is really... The post AVID editors (editors in general) be on alert about this potential rebooting issue appeared first on ProVideo Coalition.
September 25, 2019, 01:38 PM
https://www.provideocoalition.com/the-untold-story...
The Untold Story of Everything Digital: Bright Boys, Revisited celebrates the 70th anniversary (1949-2019) of the world “going digital” for the very first time—real-time digital computing’s genesis story. Cameras and editing tools that seem almost magic, computers and mobile devices with more power than the first computers used to take astronauts to the Moon. We... The post The Untold Story of Everything Digital: celebrate 70 years of digital revolution appeared first on ProVideo Co...
September 25, 2019, 01:38 PM
https://www.provideocoalition.com/the-lion-king-bl...
Micro Studio Camera 4Ks used as witness cameras, DaVinci Resolve Studio, ATEM video switchers and other hardware were used by visual effects supervisor Rob Legato during production of The Lion King. The Lion King, the film directed by Jon Favreau, is a pioneering exploration of virtual production, as PVC detailed in a previous article. Now... The post The Lion King: Blackmagic Design was the backbone for the virtual production appeared first on ProVideo Coalition.
September 24, 2019, 01:01 PM
https://fxfactory.com/blog/effects-2/de-clipper-au...
The world’s first entirely automatic De-Clipper.
September 24, 2019, 01:01 PM
https://www.provideocoalition.com/after-effects-cl...
One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges around the foreground layer. For example, it may contain some color contamination from the background it was originally shot against, which can prevent it from seamlessly melting into the new background you are trying to place... The post After Effects Classic Course: Remove Color Matting appeared first on ProVideo Coalition.
September 24, 2019, 01:01 PM
https://www.provideocoalition.com/adam-savages-tes...
Adam Savage’s Tested VR is a FREE app that gives you a fantastic experience of what VR and VR180 can be, but it also served to test the VR180 camera rig assembled to shoot the 8 episodes. Inspired by Adam Savage’s Tested One Day Builds, Adam Savage’s Tested VR takes audiences on a journey inside... The post Adam Savage’s Tested VR: the production of a virtual journey for Oculus headsets appeared first on ProVideo Coalition.
September 23, 2019, 01:26 PM
https://www.provideocoalition.com/art-of-the-cut-w...
Gary Dollner, ACE, is an award-winning editor with BAFTA nominations for In the Thick of It (2005), and Fleabag (2017), an ACE EDDIE nomination for VEEP (2012), an Emmy win for Fleabag (2019), and an ACE EDDIE win for Killing Eve. (2019). (This interview was transcribed with SpeedScriber. Thanks to Martin Baker at Digital Heaven) HULLFISH: Looks... The post ART OF THE CUT with Gary Dollner, ACE, editor of “Fleabag” and “Killing Eve” appeared first on ProVideo Coalition.
September 22, 2019, 06:23 PM
https://digitalfilms.wordpress.com/2019/09/21/fool...
Prior to file-based camera capture, film and then videotape were the dominant visual acquisition technologies. To accommodate, post-production adopted a two-stage solution: work print editing + negative conform for film, offline/online editing for video. During the linear editing era high-res media on tape was transferred to a low-res tape format, like 3/4″, for creative editing […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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