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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects 12.2 Audio Bug…

January 4, 2014, 02:47 PM

http://provideocoalition.com/cmg_keyframes/story/a...

There’s been a bit of a panic among some After Effects users about a bug introduced in the December 2013 update to After Effects CC (also known as AE 12.2). Fortunately, there’s an easy workaround until Adobe gets a bug fix issued.

VFX Contenders Fight 'Gravity's Pull

January 4, 2014, 02:47 PM

http://www.deadline.com/2014/01/oscars-2014-visual...

Expect Gravity to be as powerful and inevitable a force in the visual-effects category at this year’s Oscars as, well, gravity. Offering more than just snazzy visuals — about 95% of what’s on screen is digital — Gravity’s visual-effects supervisor Tim Webber fulfilled many artists’ dreams by working from the start with director Alfonso Cuaron and cinematographer Emmanuel Lubezki to completely embed the effects into the storytelling and filmmaking process.

2014 Anti-Resolutions

January 4, 2014, 08:16 AM

http://www.raindance.org/2014-anti-resoutions/

Here we are – a brand new year staring at you like a blank canvas. Everything you accomplish (or don’t) in the next year will forever have that date stamp: 2014 tattooed in the corner – for all your fans, friends and people important to you.The fresh perspective the New Year brings is a great time for reflection and renewal.

London’s The Look adds to color and finishing se

January 3, 2014, 05:28 PM

http://postperspective.com/2014/01/londons-the-loo...

London — Post house The Look has enhanced to its post workflow offerings with a new Quantel Pablo Rio color correction and finishing system. The new Pablo Rio will operate alongside The Look’s two existing Pablo systems and Neo control panel, allowing creative projects to be shared across all three systems for maximum productivity. The Look […]

A year in Software Releases

January 3, 2014, 05:28 PM

http://www.philiphodgetts.com/2014/01/a-year-in-so...

The life of a small independent software developer.

What you need to know about Thunderbolt 2

January 3, 2014, 05:28 PM

https://www.videoguys.com/Blog/E/What+you+need+to+...

hunderbolt 2 made its debut when Apple released the latest version of its MacBook Pro last October, but it’s become more prominent with the relase of the new Mac Pro. How different is Thunderbolt 2 from its predecessor? Here’s what you need to know.

Mac Pro CPU Upgradeability Confirmed With Processo

January 3, 2014, 05:27 PM

http://www.macrumors.com/2014/01/03/mac-pro-cpu-up...

Following the release of the Mac Pro, a quick teardown by Other World Computing (OWC) revealed that the tower's Intel Xeon E5 processor was socketed and removable, theoretically allowing for future upgrades. All CPUs in the Mac Pro were found to use the same LGA 2011 socket standardized on the Mac Pro's motherboard.

The Production Process: Post-Production {Part 3}

January 3, 2014, 01:29 PM

http://www.biscardicreative.com/blog/2014/01/produ...

Google Hangout Blog Post. Our Google Hangouts are on-air broadcasts that allow us to share with others knowledge, secrets and tips of film and video production. This post features our hangout on Post-Production and Delivery, the 3rd and 4th phases in the Production Process. BISCARDI CREATIVE PRE-PRODUCTION (PART 3 of 3) | In this series, ...More →

LOOK Effects Delivers Visual Effects for Grudge Ma

January 3, 2014, 01:28 PM

http://www.btlnews.com/crafts/visual-fx/look-effec...

LOOK Effects recently produced the visual effects for Grudge Match. The Warner Bros. film stars Robert De Niro and Sylvester Stallone and opened in theaters Dec. 25.

Mac Pro, Final Cut Pro X 10.1, and five streams of

January 3, 2014, 01:28 PM

https://www.videoguys.com/Blog/E/Mac+Pro+Final+Cut...

I decided to take a video of the Mac Pro’s amazing performance with native Red R3D 4K files. Watch five streams, with composite modes, scale, rotation and more play without rendering.

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