Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Guerilla Render v1.0 Now Available

December 12, 2013, 05:31 AM

http://www.awn.com/news/cg/guerilla-render-v10-now...

Mercenaries Engineering announces the release of the new Guerilla Render, the next-generation renderer focused on production requirements.

Lighting Pixar's The Incredibles Part 1

December 11, 2013, 05:47 PM

http://floobynooby.blogspot.ca/2013/12/the-cinemat...

Here is Part 1 of 3 on a case study of the shot compositions from Pixar's film "The Incredibles, I'll go over how the relationships of all the visual elements on screen were meticulously crafted to form a point focus in every shot. It is through the arrangement and control of all the elements on screen that the filmmakers were able to guide the sight, thoughts and emotions of the audience. All images used here are ©Disney/Pixar (unless otherwise stated).

How to Create Animated Banners in After Effects

December 11, 2013, 05:46 PM

http://www.premiumbeat.com/blog/how-to-create-anim...

Create a look popular in motion design - the animated banner. In this video tutorial we jump into After Effects and show you how to do it with simple shape layers and keyframing.

EVENT REPORT: Red Obesession Screening

December 11, 2013, 02:11 PM

http://www.screeneditors.com.au/event-report-red-o...

DATELINE: October 6th 2013 THE MAIN EVENT: Red Obesession Screening, Q&A VENUE: ACS Headquarters North Sydney, NSW Wednesday 6th November, Adobe presented in association with the ACS and the ASE, a special screening of Red Obsession; a documentary about winemakers, wine lovers and its buyers. One of the highlights in itself was the location – the ACS headquarters, where the screening [...]

PROMISE Technology Announces Availability of Pegas

December 11, 2013, 10:40 AM

http://www.promise.com/news_room/news.aspx?m=615&r...

PROMISE Technology Announces Availability of Pegasus2 The Worlds First RAID 5 Storage Solution with Thunderbolt 2New Direct Attached Storage Solution Delivers Blistering Speed, Mobility, and Versatility to Creative Professionals and Multimedia EnthusiastsHSINCHU, Taiwan and MILPITAS, Calif., December 11, 2013 PROMISE Technology, Inc. today announced the availability of Pegasus2, the first and only storage solution designed to work with Thunderbolt 2 enabled systems such as the all-new Mac P...

NLE Review: Adobe Premiere Pro CC

December 11, 2013, 10:39 AM

http://provideocoalition.com/ssimmons/story/produc...

If you follow what has been going on in the world of non-linear editing tools for the past few years you know that Adobe has been working very hard to make Premiere Pro a viable option for every aspect of editorial and post-production. The Adobe Premiere Pro team has been asking questions, listening to editors and improving their product with release after release pretty much ever since CS4 came along. I’m happy to report that with Adobe Premiere Pro CC the tool really has arrived.

The Lighting of Pixar's "The Incredibles"

December 11, 2013, 10:39 AM

http://bryoncaldwell.blogspot.ca/2013/12/the-cinem...

There's a nice breakdown of the cinematography of The Incredibles over on the FloobyNooby blog. It's worth a look!

For All Post Pro's: The Art of Saying Nothing

December 11, 2013, 10:39 AM

http://thenextweb.com/insider/2013/12/11/the-art-o...

Gary Vaynerchuk says that he lives with the assumption that he’s speaking ‘on the record’ 24 hours per day, seven days per week, 365 days per year, and yet at LeWeb Paris today he wasn’t afraid to give engaging, entertaining answers to Loic Le Meur’s questions about his approach to business and technology.

What is Bit Rate?

December 11, 2013, 10:38 AM

http://www.videomaker.com/video/watch/tips-and-tec...

Every time you record, export, or watch a video, bit rate has a lot to do with the quality. Learn what bit rate is and how it affects file size, image quality, accessibility, and delivery cost. Plus find out the difference between CBR and VBR. Wolfram|Alpha Bit Rate Calculator Containers, Codecs, and Formats

Guerilla Render 1.0 - Detailed Presentation

December 11, 2013, 10:38 AM

http://www.3dvf.com/actualite-8321-guerilla-render...

At the launch of the renderer Guerilla Render 1.0 , Mercenaries Engineering published a product page detail, which comes on the strengths of the system. You will find details of the capability of the engine. Guerilla Recall that looks like a rendering solution, look development and lighting, and not as a simple rendering engine. At the heart of the software.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.