It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 4, 2013, 09:01 PM
http://www.cceditors.ca/welcome-to-the-new-c-c-e-m...
We’re proud to welcome to the newest members of the Canadian Cinema Editors: Matthew Bush, Sal Fabbri, Ian Maxwell, Sofya Lifanova, Rob Chandler, Daisy MacLean, Barbara Neuman, Brett Rostrup, Shiren Van Cooten, Emma Casey, Binaya Lamichhane, Lee Walker, Caroline Christie, Justin Lee, Don Thompson, Kristy Neville, Petra Valier, Daniel Langois, Andrew Wall, Wesley Finucan, Jorelle
December 4, 2013, 09:00 PM
http://www.fxguide.com/featured/vfx-on-tv-how-to-b...
fxguide goes behind the scenes of the visual effects work in three recent television shows – The Day of the Doctor, Almost Human and Richard Hammond Builds A Planet – featuring interviews with the VFX artists and showcasing before and after images and clips.
December 4, 2013, 09:00 PM
http://news.creativecow.net/story/873818
Working directly with client Team One (El Segundo, CA) ArsenalFX provided VFX to two spots, “Shift,” which broke during the weekend after Thanksgiving, and “Say Nothing,” which broke on November 15th. Both spots will initially be airing during in-game sports presentations.
December 4, 2013, 02:14 PM
http://postperspective.com/2013/12/autodesk-adds-m...
MONTREAL — Autodesk has released Maya LT 2014 Extension 2, which was designed with customer feedback and usability in mind. The update advances the workflows of indie game developers with support for Maya Embedded Language (MEL) scripting, new OBJ export options and improvements to HumanIK and IK Handle technology. Maya LT Extension 2 key features include: […]
December 4, 2013, 01:52 PM
http://masteringfilm.com/good-video-editing-techni...
Editing is an unobtrusive skill. If it is done well, the audience does not notice it, but is absorbed in its effect. During an exciting scene, for example, when the duration of shots is made shorter and shorter as the tension grows, the audience is only conscious of growing agitation, and fast-moving action. There are...
December 4, 2013, 01:52 PM
http://postperspective.com/2013/12/cinelicious-sca...
LOS ANGELES — For Arcade Fire’s new release the band commissioned Afterlife, a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The film is over seven minutes and features a journey through nightmares, lost loves, and family ties. (See it here: https://vimeo.com/79836732) The film was […]
December 4, 2013, 01:52 PM
http://www.borisfx.com/borisfxnews/2013/12/04/powd...
Earlier this year, Powderhouse Productions, a full service production company that develops original programming for the likes of A&E, History, Animal Planet, and Travel Channel, underwent a major Avid upgrade. When Stephen Barker, Director of Post-Production, polled his team of … Continue reading →
December 4, 2013, 01:50 PM
http://prolost.com/blog/2013/12/4/pixars-22-rules-...
Back in 2011, a Emma Coats tweeted a series of “story basics” she absorbed and distilled during her tenure as a story artist at Pixar. These tweets were aggregated by many bloggers, who tended to refer to them as “pixar story rules,” even though they were never represented by Coats as “rules,” or “Pixar’s.”
December 4, 2013, 10:25 AM
http://www.creativebloq.com/3d-world/pixar-secret-...
With any new Pixar movie, comes a Pixar short to be screened before it. The Blue Umbrella was the short accompanying Monsters University, and proved just as popular as the feature film.
December 4, 2013, 10:25 AM
http://filmmakermagazine.com/82726-visual-effects-...
Fall 2013: Click here to read interviews with All Is Lost's J.C. Chandor, The Square's Jehane Noujaim, Blue is the Warmest Color's Abdellatif Kechiche and more...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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