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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

RØDECaster adds USB mix-minus & multitrack

March 1, 2019, 07:26 AM

https://www.provideocoalition.com/rodecaster-adds-...

RØDECaster now offers selectable mix-minus via the USB port, in addition to its previously available mix-minus via TRRS and Bluetooth.

Sundance: Audio post for Honey Boy and The Death o

February 6, 2019, 01:03 PM

https://postperspective.com/sundance-audio-post-fo...

By Jennifer Walden Brent Kiser, an Emmy-award winning supervising sound editor/sound designer/re-recording mixer at LA’s Unbridled Sound, is no stranger to the Sundance Film Festival. His resume includes such Sundance premieres as Wild Wild Country, Swiss Army Man and An Evening with Beverly Luff Lin. Continue reading → February 6, 2019 The post Sundance: Audio post for Honey Boy and The Death of Dick Long appeared first on Randi Altman's postPerspective.

AES Los Angeles Section and SMPTE Hollywood Sectio

January 21, 2019, 06:53 PM

https://news.creativecow.net/story/895497

(January 18, 2019) (Los Angeles, CA--January 18, 2019) The Los Angeles Section of the Audio Engineering Society and the Hollywood Section of the Society of Motion Picture and Television Engineers® (SMPTE®) will host a joint meeting this month exploring sound production for Columbia Pictures and Sony Pictures Animation’s Golden Globe®-winning feature film Spider-Man™: Into the Spider-Verse. The meeting is slated for Thursday, January 31 at the Sony Pictures Studio lot in Culver City, Calif...

Interview: Jeff Jacoby on sound art

December 12, 2018, 01:11 PM

http://designingsound.org/2018/12/12/interview-jef...

This interview was originally conducted for inclusion in our “Sound Art” theme. Jeff Jacoby is a Sound Designer and Sound Artist with over 40 years of experience. With an Emmy to his name plus two other Emmy nominations, 2 Cine´ Golden Eagles, 2 Crystal Radios, 2 Benjamin Franklins, and 5 BEA Best of Competition awards, […]

Don’t Fall Asleep!

December 10, 2018, 05:53 AM

http://designingsound.org/2018/12/10/dont-fall-asl...

  My last post here was in July. In keeping with the theme, you could say I was hibernating, but that’s not really true. Life, work, projects, recording: all these things fought for my time and unfortunately what suffered was the amount I had left for a volunteer position I loved as a contributing editor […]

Capturing realistic dialogue for The Front Runner

November 29, 2018, 01:30 PM

https://postperspective.com/capturing-realistic-di...

By Mel Lambert Early on in his process, Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading → November 29, 2018 The post Capturing realistic dialogue for The Front Runner appeared first on Randi Altman's postPerspective.

Live Foley: Interview with Goro Koyama

November 26, 2018, 09:51 AM

http://designingsound.org/2018/11/26/live-foley-in...

Goro Koyama is a Toronto based foley artist and native of Japan. He won an MPSE for his work on Blade Runner 2049 and you can hear more of him in the upcoming film, Creed II. Goro recently travelled to New York City to perform foley live at the Japan Society for 450 people. With […]

Interview: John Altmann on recording airplanes –

November 19, 2018, 10:01 AM

http://designingsound.org/2018/11/19/interview-joh...

DS: What are some of the airplanes that you’ve recorded? JA: Mostly World War II planes, and that usually happens two ways. Either I go to an air show and record them as best as conditions will permit. On other occasions I would just call the owner of a plane. Like Lefty Gardner, he had […]

RØDECaster Pro audio console-first look by Allan

November 17, 2018, 01:23 PM

https://www.provideocoalition.com/rodecaster-pro-a...

The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive production, be it for radio or television, online or conventional. The device has several microphone inputs, virtual carts to play pre-recorded our opening, bridges, bumpers, jingles and spots, as well as mix-minus, a built-in audio recorder, APHEX aural exciter/compressor/limiter/gate and much more. While I await a review unit, I’ll cover everything I know...

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