It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 26, 2015, 09:18 AM
http://www.indiewire.com/article/heres-how-the-inc...
Grantland writer Kevin Lincoln summed up "Ex Machina" beautifully when he wrote, "It's a story about artificial intelligence, not-artificial intelligence, trust, love, parenthood, sincerity, watching Oscar Isaac exercise, the ethics of surveillance, the future of the human race, and beer." For us at Film Independent, the film—with its incredibly alluring fembot in the leading role—is also a fantastic opportunity to explore the magical world of VFX, and the role of a VFX supervisor.
June 26, 2015, 09:12 AM
http://www.creativeplanetnetwork.com/flink/610441
Technology that allows people, places, and things to appear in three dimensions is changing the way our armed forces operate, the way people elect their leaders, and the way entertainers—alive and dead—bring us joy. Meet the people on the front lines of the other virtual reality.
June 26, 2015, 04:51 AM
http://www.cgmeetup.net/home/character-and-creatur...
A selection of our character animation projects with vfx breakdowns.
June 25, 2015, 04:04 PM
http://www.redsharknews.com/distribution/item/2682...
8K? 4K? HD? No. This is the only contemporary film to have been downgraded to VHS quality to give it that oh-so-smooth '80s look. And it's a masterpiece. Kung FuryKickstarterCGIDavid SandbergDavid Hasselhoff
June 24, 2015, 11:35 PM
http://www.mettle.com/mettle-plugins-are-ready-for...
Adobe CC 2015 has been released, and is full of many great new features. Here’s what you need to know about mettle plug-ins and compatibility with CC 2015. SkyBox and FreeForm are compatible with CC 2015. FreeForm Pro and ShapeShifter AE are compatible with CC 2015 but you have to download a new installer.
June 24, 2015, 05:08 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
The Autodesk Innovation Genome is the process we use at Autodesk for innovation. You can learn more about on Autodesk Labs. Join us in our quest for innovation. One of the parts of the process is a structured brainstorming exercise... (...)
June 24, 2015, 12:31 AM
http://cinefex.com/blog/jonathan-strange-mr-norrel...
Behind the scenes on the BBC TV adaptation the classic fantasy novel "Jonathan Strange & Mr Norrell" with spectacular visual effects by Milk VFX...
June 24, 2015, 12:26 AM
http://www.creativeplanetnetwork.com/news/post/fus...
Written and directed by Paul Feig, Spy includes edge-of-your-seat car chases, helicopter stunts and multiple explosions. To create the effects, compositing supervisor Jeremy Nelson of William Mesa’s Hollywood VFX company Flash Film Works used Blackmagic Design’s Fusion Studio visual effects and motion graphics software. “We used Fusion for core compositing work such as projection and rig and wire removal,” says Nelson.
June 24, 2015, 12:26 AM
http://www.artofvfx.com/?p=12498
In two weeks there will be the 10th edition of Imaging the Future.
June 23, 2015, 12:12 PM
http://www.btlnews.com/crafts/visual-fx/splice-hir...
Minneapolis-based creative studio Splice has hired VFX artist Ryan Markley whose film credits include Deliver Us from Evil, The Expendables and The Mechanic.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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