It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 14, 2013, 11:03 AM
https://www.videoguys.com/Blog/E/Final+Cut+Pro+X+i...
Many people “worry” that Apple will abandon their professional applications (Final Cut Pro X, Aperture and Logic Pro X) because they don’t make much money for the company. Ironically, the same argument can be made about Media Composer: it is not core to the company’s primary business . In reality it’s more likely that Avid would abandon (or sell) Media Composer than Apple is to get out of the professional creative tools market.
November 14, 2013, 11:03 AM
http://www.fcp.co/final-cut-pro/news/1281-apple-aw...
This week, Apple was awarded a patent in the US for a media production application that breaks down a script, logs actors and locations and then automatically schedules the production. Interesting.
November 14, 2013, 11:02 AM
http://www.fcpxland.com/hawaiki-autograde-plugin-f...
The new automatic image correction plug-in for FCPX with a wealth of top professional features to make even the flattest images come alive.
November 14, 2013, 11:02 AM
http://www.creativeplanetnetwork.com/adobe/adobe/s...
Born in Rome, raised in Switzerland, and son of director Andre de Toth, Nicolas de Toth is a second generation filmmaker. After studying acting for six years Nick worked in production, occupying various positions, from gaffer and grip to production manager. His editing career started as an assistant editor, working with Academy Award-winning editor Neil Travis for eight years. He’s now been editing on his own for 10 years, with film credits including Stoker, This Means War, and Wolverine: X-Me...
November 14, 2013, 11:02 AM
http://blog.lynda.com/2013/11/14/lynda-com-certifi...
This week we’re pleased to announce a new way to integrate your lynda.com course completion certificates with your LinkedIn profile—and share with any prospective recruiters and hiring managers the skills and knowledge you’ve acquired here at lynda.com.
November 14, 2013, 11:01 AM
http://wolfcrow.com/blog/adobe-premiere-pro-to-aft...
In Part One we looked at how we can use Adobe Dynamic Link to move clips back and forth between Adobe Premiere Pro and After Effects, just as if they were one application. In this part we’ll look at how to import projects into After Effects, and also how to move from After Effects to Premiere Pro.
November 14, 2013, 05:47 AM
http://www.redsharknews.com/business/item/1227-ama...
Amazon announced recently that they will be providing not only CPU processing power and storage online (the way they have for several years now) but Graphical computing as well. This really does change things AmazonCloud Computing
November 14, 2013, 05:46 AM
http://blogs.adobe.com/aftereffects/2013/11/migrat...
When you install the After Effects CC (12.1) update, the application will use default settings for preferences, workspaces, output module templates, render settings templates, interpretation rules, and compositions settings templates. The After Effects CC (12.0) settings that you may have modified are still on your computer, though. You can manually copy them to the correct place for After Effects CC (12.1) to use them, as long as you are also careful to change the version number in the fil...
November 14, 2013, 05:46 AM
http://blogs.adobe.com/kevinmonahan/2013/11/14/how...
As an editor, I’ve never been totally satisfied with native NLE titling tools. Sure, they’re great for down and dirty lower thirds, but I always end up wanting to animate certain elements of a line of text or some graphics using a dedicated titler or motion graphics package. Using Premiere Pro, you can use dynamic link to get material from After Effects into Premiere Pro. Why not? After Effects is the single greatest tool for creating dynamic titles and motion graphics. Most people looki...
November 14, 2013, 05:45 AM
http://www.governmentvideo.com/TabId/67/Default.as...
Platform’s latest innovations represent a progression by expanding upon the existing Platform Online and Platform Studio lines with a new Platform Nearline storage system that is intended for disk-based back up. In addition to new hardware options, software developments have increased the functionality of every Platform system by adding features previously found only in the enterprise storage sector. Each system is engineered to deliver performance to video-post workflows, with capacities from...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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