It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2013, 05:47 AM
http://www.definitionmagazine.com/journal/2013/11/...
Let’s say you earn a significant part of your income from a review website – you’re a tech blogger. Fundamentally, you need to attract traffic – visitors – to your site so that you can rake in the ‘dosh’ from all that lucrative advertising.
November 12, 2013, 05:46 AM
http://feedproxy.google.com/~r/industryhappenings/...
Check out this new free online series recently launched by our sister site, Art of the Guillotine! ——————————————————————- AOTG is launching a new free online series Live Post Talk with industry experts, aimed at those interested in editing, post production and film-related discussions. The series are real time conversations with world renowned editors (we had […]
November 12, 2013, 05:46 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Editor’s Note: This article has been marked “Not Safe For Work” due to elements that contain nudity.The fluid curvature of skin, so elusive in the briefest of glances, opens this exquisite title sequence for the 2013 Analogue/Digital conference in Brisbane. Juxtaposing the hard and the soft, natural and constructed elements are placed among the angles of the human body, supple, stretching in some unspoken desire. The typography floats just beside these surfaces, trembling in its proxim...
November 12, 2013, 05:46 AM
http://monicaedits.tumblr.com/post/66750438259
Anyone who follows me on twitter is probably aware that I recently joined a group of post production professionals that produce a podcast called Going Postal Show. First and foremost, I am currently an editor that works in broadcast television, but we all need to have a little fun side project, right? So the criteria to be a part of the podcast: have a passion about production and post production, love movies, be comfortable around tech talk and of course, be a geek. I guess I qualified.A po...
November 12, 2013, 05:46 AM
http://roosterpost.wordpress.com/2013/11/12/editor...
At last Thursday’s Advertising & Design Club of Canada Award show, Rooster Editors Dave De Carlo’s and Mick Griffin’s editorial work was singled out in the Advertising Broadcast Craft categories. Mick’s work on behalf of Lowe Roche for The Heart … Continue reading →
November 11, 2013, 06:36 PM
http://walterbiscardi.com/big-changes-coming-to-th...
Had an awesome meeting today with Carl Olson today, my partner in crime on this very site. He’s the guy who built this site and has helped get all the back end components into place so we can have the site ready to go for the next phase. As you know the intention of this […]
November 11, 2013, 06:36 PM
http://ryansalazar.net/index.php/2013/11/light-iro...
Hollywood-based post house Light Iron provided on-set color, color workflow and final color for the film Ender’s Game. See on cs.entertainmentcareers.net
November 11, 2013, 06:35 PM
http://www.ropeofsilicon.com/explore-3d-post-conve...
I'm not a fan of 3D. With pretty much every 3D film I've ever seen I think I can honestly say it would have been just as good in 2D barring a couple exceptions such as Hubble 3D. This isn't to say there are a few moments here and there in films where the 3D visuals may "wow" me, but for the most part I'm there for the story and the here-and-there wows are nice when they arrive, but not essential to the experience in most cases.
November 11, 2013, 04:44 PM
http://sportsvideo.org/main/blog/2013/11/ccw-2013-...
Telestream, a leading provider of video transcoding and workflow solutions, announced plans to showcase support for 4K and HEVC/H.265 encoding, plus new products and multiplatform workflow solutions at the CCW Show November 13-14 in New York City. The company is also featuring new configurations for its newly-acquired closed captioning products.
November 11, 2013, 04:43 PM
http://www.hdvideopro.com/blog/editor/2013/11/take...
Panasonic Toughpad 4K UT-MB5 is the world’s first 20-inch 4K tablet...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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