It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2013, 10:06 AM
http://www.finalcutpro.es/2013/10/formacion-master...
(Nota de prensa) Formación exclusiva para profesionales únicos CICE pone en marcha un exclusivo programa de estudios para formar a profesionales expertos en edición y postproducción digital La industria del entretenimiento en España se encuentra en un momento expectante, con proyectos de alto nivel que superan las barreras nacionales. Las compañías líderes a nivel […]
October 25, 2013, 10:06 AM
http://postperspective.com/2013/10/meet-the-artist...
This colorist and DI supervisor craves creative work. NAME: Alexander MacLean (@alexm13) COMPANY: Berkeley, CA’s Colorflow (www.colorflow.com), @colorflowpost CAN YOU DESCRIBE YOUR COMPANY? Colorflow is a full-service post company specializing in color grading for independent films, documentaries, long-form television, commercials and other projects. We’re located in a newly built facility in the historic Saul Zaentz […]
October 25, 2013, 10:05 AM
http://www.avidblogs.com/last-passenger-making-of-...
The post Rhythm, Pre-vis, and the Magic of Montage: The Making of British Indie Thriller ‘Last Passenger’ appeared first on Avid Blogs.
October 25, 2013, 10:05 AM
http://provideocoalition.com/createasphere/story/f...
Autodesk recently released five free 3D effects templates created by Smoke master Brian Mulligan in Autodesk Smoke 2013 Extension 1. Each template comes as a ready-to-use Smoke archive and provides a great introduction to working with animated 3D elements, textures, reflections and 3D lighting...
October 25, 2013, 10:04 AM
http://www.geekazine.com/special/cache-a-procache-...
If you are a broadcaster, media storage on tape is actually your friend. The newest standard – LTO-6 – can keep thousands of scenes, clips and other media. Of course, if you are a bigger production company, you will need larger appliances that can connect and maintain your LTO environment. That is where Cache-A comes in. Calvin Zito talks to Cache-A Mark Ostlund about archiving […]
October 25, 2013, 04:41 AM
http://www.indiewire.com/article/what-are-the-ethi...
Should documentaries bookend vérité with imitation? On the second of its inaugural three days, the Tribeca Film Institute (TFI)/A/E Films Feature Documentary Storytelling Workshop at the newly opened Made in NY Media Center by IFP turned its discerning eye to the issue of recreations in a form that presupposes a measured degree of honesty. Leading the roundtable discussion amongst participating filmmakers and industry members, producer Simon Chinn and TFI's Director of Documentary Programming ...
October 25, 2013, 04:41 AM
http://icutfilm.com/post/65002958895
We finally received our pro pics from this years Creative Arts Emmys
October 25, 2013, 04:40 AM
http://icutfilm.com/post/65002211996
I’m teaching three classes at the Southeastern Creative Summit this weekend in Atlanta as well as speaking at the Creative Ball gala: http://www.southeastcreativesummit.com
October 25, 2013, 04:39 AM
http://designingsound.org/2013/10/sfx-independence...
A quick roundup of the independent sfx libraries to have hit our inbox this month.
October 25, 2013, 04:38 AM
http://www.broadcastbeat.com/index.php/lopez-tonig...
Telepictures Productions, the producers of TBS’ Lopez Tonight, needed a reliable workflow and collaborative environment that would support the production demands of a nationally syndicated program, and ultimately selected four Avid Media Composer Nitris DX systems for video editing, Avid AirSpeed Multi Stream ingest and playout servers, an Interplay production asset management system, Interplay Assist and Interplay Access systems, all connected to an Avid Unity ISIS (32 TB) shared storage syst...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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