It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 1, 2013, 10:07 AM
http://www.creativeimpatience.com/take-your-premie...
I'm happy to announce that I'll be doing a course on advanced workflows in Premiere Pro for fxphd.com this term. It's a great opportunity for me, and I believe for
October 1, 2013, 04:32 AM
http://terencegallacher.wordpress.com/2013/10/01/e...
By the winter of 1957, I was editing most of the twice nightly news service, at GTV-9 in Melbourne, as well as the Focus documentary shown on a Sunday. The early evening news would include around four or five stories that need complete editing while another three or four would need partial editing. For the […]
October 1, 2013, 04:31 AM
http://journaldunemonteuse.wordpress.com/2013/10/0...
Pour la première fois j’expérimente le travail sur un tableau. Je veux dire un grand tableau, comme un tableau d’école. Cela m’intéresse d’ailleurs de croiser nos pratiques si d’autres monteurs l’utilisent. Pourquoi ? Comment ? Devant l’immensité de la matière … Lire la suite →
October 1, 2013, 04:30 AM
http://www.pro-tools-expert.com/home-page/2013/10/...
For Apple to suggest that the new Mac Pro has had no critics would be a serious case of denial, but Apple have always faired storms in the name of innovation and usually been right.
September 30, 2013, 06:28 PM
http://feedproxy.google.com/~r/editcellar/~3/fUb-Q...
Today’s tutorial is NLE specific for Adobe premiere pro, though the logic can be applied to any NLE where you have the option of creating your own custom keyboard shortcuts. Keyboard shortcuts are essential to learn and use. They help speed up your workflow and allow for an easier path to completion. This rather long [...]
September 30, 2013, 06:28 PM
http://www.premiumbeat.com/blog/quickly-create-dyn...
Win a copy of Sweet for After Effects - a powerful engine for generating dynamic 2D animation. Simply like the Facebook status in this post for a chance to win!
September 30, 2013, 06:28 PM
http://blogs.creativecow.net/blog/13128/why-are-yo...
Focusing on post-production, from editing and motion graphics to personal experiences and the psychology of being an editor.
September 30, 2013, 12:09 PM
http://www.premiumbeat.com/blog/20-timesaving-shor...
Speed up your video editing with these shortcuts for Final Cut Pro! Commit them to memory to be a more efficient video editor.
September 30, 2013, 12:09 PM
http://blog.dvfanatics.com/2013/09/professional-vi...
Some of the resources available on the web for professional video editors to find their next job.
September 30, 2013, 10:43 AM
http://www.fcp.co/final-cut-pro/news/1245-sundance...
Noam Kroll from Creative Rebellion decided to shoot his Sundance entry on a Blackmagic Cinema Camera in RAW and post produce in Final Cut Pro X and DaVinci Resolve. He takes us through his workflow.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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