It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 25, 2020, 03:30 PM
https://www.provideocoalition.com/litrastudio-a-wi...
With a small footprint, the new LitraStudio delivers 3,000 Lumens of color accurate RGBWW output—totally cable-free and also features Bluetooth or DMX control, color tuning, gel, effects and more. Litra brings a fresh take on compact, rectangular LED lights to the market with the LitraStudio, which expands a family comprised of compact, rugged, and waterproof [...]Read More...
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EditShare has a new virtualized video editing and storage platform called EFSv. Initially running on AWS infrastructure, the open EFSv platform supports industry-standard third-party creative tools for editing, audio mixing and grading with security capabilities such as file auditing to propel secure, end-to-end editorial workflows in the cloud. According to EditShare, Continue reading → April 23, 2020 The post EditShare’s new EFSv for virtual editing and storage appeared first on pos...
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With COVID-19 corporate shut downs and a massive shift to remote or furloughed workforce, the post-production industry and their teams have been one of the hardest hit. Teams are scrambling for solutions with a limited remote workforce that allows post-production projects to continue while maintaining social distance.
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These free After Effects templates include over 100 free elements and options for you to use in any project. Combine these projects for even more options!
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https://www.youtube.com/watch?v=f_9SVr6A1TY
Bryce shares with us AJA's thinking around NAB, their early cancellation and efforts to announce products as they are ready to ship, including updates to their popular desktop software packages. He also talks about the demand for streaming products, including the U-Tap capture devices, HELO and more.
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https://postperspective.com/digital-nirvana-update...
Digital Nirvana has released version 3.0 of its Trance cloud-based application for closed captioning and transcription, which combines STT technology and other AI-driven processes with cloud-based architecture. Implementing cloud-based metadata generation and closed captioning as part of their existing operations, media companies can reduce the time and cost of delivering accurate, compliant content worldwide. Continue reading → April 22, 2020 The post Digital Nirvana updated Trance 3.0 ...
April 23, 2020, 01:35 PM
https://postperspective.com/colorist-chat-i-am-not...
Colorist Toby Tomkins, co-founder of London color grading and finishing boutique Cheat, collaborated once again with The End of the F***ing World director Jonathan Entwistle on another Charles Forsman novel — I Am Not Okay With This. The now-streaming Netflix show is produced by Entwistle alongside Stranger Things EPs Shawn Levy and Dan Cohen, Continue reading → April 22, 2020 The post Colorist Chat: I Am Not Okay With This’ Toby Tomkins appeared first on postPerspective.
April 23, 2020, 01:34 PM
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The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode,...
April 22, 2020, 12:52 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Goldcrest Post (goldcrestpostny.com) has hired Wade Rudolph as head of production. He held a similar position at Deluxe Creative Services, New York, and brings 15 years of production and post production experience, spanning episodic and long-form television, independent features and documentaries. At Goldcrest, Rudolph will oversee picture finishing and work with clients and the facility’s colorist and editors to ensure projects hit their creative and delivery targets.
April 22, 2020, 12:50 PM
https://postperspective.com/working-from-home-vfx-...
By Randi Altman With the COVID-19 crisis affecting all aspects of our industry, we’ve been talking to companies that have set up remote workflows to keep their studios moving along with work. One of those studios is The Molecule, which is based in New York and has a location in LA as well. Continue reading → April 21, 2020 The post Working From Home: VFX house The Molecule appeared first on postPerspective.
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