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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Free HD Stock Video: Smoke Effects

September 17, 2013, 07:20 PM

http://www.premiumbeat.com/blog/free-hd-stock-vide...

Check out this high quality stock video of smoke! These isolated smoke shots are suitable for a wide variety of video editing and motion graphics projects. Shot in 4K on RED cameras, and best of all, totally free.

IBC Q&A: Adobe’s Coleman and Mooney talk Adobe A

September 17, 2013, 01:17 PM

https://www.videoguys.com/Blog/E/IBC+QA+Adobes+Col...

It’s been a very busy few months for Adobe, which converted its entire Creative Suite software portfolio to the SaaS-modeled Creative Cloud in May and shipped the much-anticipated Adobe Anywhere collaboration platform in July. Both products are now in full swing, and Adobe took to the IBC floor to highlight enhancements to both Creative Cloud and Adobe Anywhere.

Edius for Avid Editors

September 17, 2013, 01:17 PM

https://www.videoguys.com/Blog/E/Edius+for+Avid+Ed...

These notes give you everything you need to translate your existing Avid Media Composer 7 editing skills into EDIUS editing skills. You will find EDIUS quick and easy to learn, with several features that go beyond the tools Media Composer offers. This document is intended specifically for Avid Media Composer 7 7 editors and is based on EDIUS 7. However, users of any editing system will find this information valuable as a quick way of getting to know EDIUS, without long explanations of technol

Secondary Color Correction in Final Cut Pro X

September 17, 2013, 10:30 AM

http://provideocoalition.com/mspencer/story/second...

This week on MacBreak Studio, Steve Martin from Ripple Training shows us a method for performing selective or "secondary" color correction in Final Cut Pro X. While primary color correction is concerned with overall changes to the luminance range, hue, and saturation of an...

CURSO: Corrección de color con Final Cut Pro X

September 17, 2013, 10:30 AM

http://www.finalcutpro.es/2013/09/curso-correccion...

[Nota de Prensa] La Industrial Media pone en marcha su nueva temporada de formación audiovisual avanzada con la publicación de uno de sus cursos más demandados, “Corrección de Color con Final Cut Pro X” el día 17 de Octubre, dirigido a realizadores, editores, coloristas, motiongrapher o cualquier profesional interesado con experiencia básica del color en vídeo. En […]

Pro's Using FCPX

September 17, 2013, 10:29 AM

http://www.revuptransmedia.com/index.php?option=co...

Richard Taylor asks this question..."Is Final Cut Pro professional?" It's a question with its variations, that I've seen lingering from FCPX's original release. The answer to that question is "yes" and that has been documented many, many times by professional filmmakers, TV producers, news groups, event videographers, post production houses, pro editors and more.

Constellation

September 17, 2013, 04:34 AM

http://journaldunemonteuse.wordpress.com/2013/09/1...

Parlons structure. Architecture d’un film. Son squelette. Son ossature. Sa trame. Sa colonne vertébrale. Son trajet, d’un point A à un point B, a-t-il forcément la forme d’un trait continu ? A quoi ressemble la structure d’un film qui n’obéit … Lire la suite →

Peut-on toujours faire mieux ?

September 16, 2013, 03:51 PM

http://journaldunemonteuse.wordpress.com/2013/09/1...

C’est la reprise. J’attaque 8 semaines de montage sur le projet d’Anaelle Godard dont j’ai déjà parlé ici. Nous avions déjà travaillé trois semaines en novembre dernier et aujourd’hui le producteur nous demande de retravailler une séquence déjà montée, longue … Lire la suite →

Stylish New Looks In Latest Animated Canvases Rele

September 16, 2013, 03:51 PM

http://provideocoalition.com/news/story/stylish-ne...

Digital Juice® has announced the release of Animated Canvases™ Collection 26: Ground Support, available as either an Instant Download or boxed DVD product. Animated Canvases are subtle background animations that are designed to be the foundation for any video or motion...

Racing with FCPX at 24h Le Mans!

September 16, 2013, 03:49 PM

http://www.motionvfx.com/mblog/racing_with_final_c...

24h Le Mans is not only a legendary race featuring top-notch vehicles, but also an event that requires the support of the finest filmmaking and editing crews. 2013 Le Mans edition was special as the race has hit its 90th anniversary. Apple.com reports that for the second time in a row, a high-end French post-production company Xtrem Productions was chosen to work on the coverage of this event. As it turns out, the company works on Apple computers and software only: Final Cut Pro X, Mac Pros, Mac...

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