It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 15, 2021, 09:11 AM
https://postperspective.com/realtime-adds-libby-be...
As part of its recent growth, UK-based CGI studio Realtime has brought on Libby Behrens as operations director. The studio, which works in the games, broadcast and automotive space and has credits including Sky TV’s A Discovery of Witches and BBC’s The War of the Worlds, Continue reading → September 14, 2021 The post CGI Studio Realtime Adds Libby Behrens as Operations Director appeared first on postPerspective.
September 15, 2021, 09:09 AM
https://postperspective.com/maxon-updates-cinema-4...
By Brady Betzel With NAB around the corner, you can expect a number of new software and hardware updates in the coming weeks. Maxon looks to be one of the first out of the gate with a wide variety of updates thanks to its Cinema 4D R25 and Trapcode 17 releases. Continue reading → September 14, 2021 The post Maxon Updates Cinema 4D, Red Giant Trapcode and More appeared first on postPerspective.
September 15, 2021, 09:09 AM
https://www.redsharknews.com/post-vfx/item/1859-th...
Replay: This is a picture that looks more like a photograph than a photograph. And whereas a photograph can be made in an instant - you can imagine the time it took Brazillian artist Gilvan Isbiro to create this masterpiece.
September 15, 2021, 09:08 AM
https://beforesandafters.com/2021/09/15/vfx-future...
If you’ve seen Into the Spider-Verse, The Mitchells vs The Machines, Luca and a wave of other animated features lately, then you already know that ‘stylization’ in animation is becoming more of a mainstream thing. But what does ‘stylization’ mean here, exactly?
September 15, 2021, 09:08 AM
https://www.artofvfx.com/y-the-last-man-main-title...
Y – The Last Man: Main titles by Elastic
September 13, 2021, 08:41 AM
https://beforesandafters.com/2021/09/13/the-mandal...
The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek Discovery for Outstanding Special Visual Effects In A Single Episode. The winners of the Television Academy Emmy awards relating to visual effects have been announced, and the recipients were The Mandalorian for Outstanding Special Visual Effects In a Season or a Movie, and Star Trek ...
September 10, 2021, 08:51 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Visual effects houses MPC and Mikros have formed an alliance of their episodic and film divisions. Mikros, a French company, with over 35 years in the visual effects industry, has been a Technicolor brand since 2015. The move integrates Mikros’ episodic and film division with MPC Episodic. The combined studios will operate under the MPC Episodic (https://www.mpcepisodic.com) brand, which has an existing presence in Berlin, London, Los Angeles and Bangalore. They will continue to off...
September 9, 2021, 08:41 AM
https://www.provideocoalition.com/alive-fpv-style-...
It looks like the frantic footage from a FPV drone, but the music video for RÜFÜS DU SOL theme “Alive”, directed by award winning director James Frost was shot entirely inside Unreal Engine. If, like me, you browse through the description of the official music video for the new single ‘Alive’ by RÜFÜS DU SOL [...]Read More...
September 3, 2021, 09:10 AM
https://www.redsharknews.com/synthetic-humans-how-...
It's often the last mile that's the hardest. But even though it might take a thousandfold increase in power to make computer-generated humans convincing - that's exactly what we're getting every ten years or so. So maybe this will help us solve the unusually intractable problem of the Uncanny Valley.
September 2, 2021, 08:45 AM
https://www.artofvfx.com/free-guy-scott-edelstein-...
Back in 2019, Scott Edelstein explained Digital Domain‘s work on Avengers: Endgame. Today he returns to tell us about Free Guy.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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