Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Final Cut Pro X 10.4 Announced With New Wheels and

October 28, 2017, 05:00 AM

http://www.fcp.co/final-cut-pro/news/2011-final-cu...

We've just got back from the Apple Presentation that's part of the FCPX Creative Summit and we have some great news about 10.4 to share. New colour tools including wheels & curves and 360 tools built in.

Tercer Encuentro de Editores

October 27, 2017, 10:08 AM

http://saeditores.org/Novedades/Tercer-Encuentro-d...

La SAE anuncia la apertura de las inscripciones para participar del Tercer Encuentro de Editores, que se llevará a cabo el sábado 11 de noviembre a partir de las 14:30 horas en la sede de nuestro socio benefactor Punto Cine (Roseti 216, CABA).

MacBook Pro vs Surface Book 2

October 27, 2017, 10:07 AM

https://www.macworld.co.uk/review/mac-laptops/macb...

In October 2017 Microsoft announced the Surface Book 2, the follow-up to the high-end laptop it launched in 2016. The Surface Book line is the company's answer to Apple's professional-focused MacBook Pro range of laptops, so in this article we compare the SB2 with the newest MBP models.

Let’s all move to LA, in 2049

October 27, 2017, 04:43 AM

https://vfxblog.com/2017/10/26/lets-move-to-la-in-...

Los Angeles in 2049 is an over-populated metropolis, threatened by rising sea levels, and featuring vastly different scale buildings, from sprawling favelas to mile high pyramids. That’s how the city is presented in Blade Runner 2049, which had to show a location 30 years into the future from the original Blade Runner and had the benefit of using modern visual effects to make it possible.

*Veredas*, por Flor Efron (SAE)

October 26, 2017, 04:39 PM

http://saeditores.org/Novedades/Veredas-por-Flor-E...

Una síntesis personal de la edición por sus artífices.

New podcast looks at 'Evolutions in Motion Captur

October 26, 2017, 11:57 AM

http://www.postmagazine.com/Press-Center/Daily-New...

Technicolor recently published a new podcast titled “How Evolutions in Motion Capture are Building Immersive Experiences.” Featuring Vicon’s director of sales & marketing Jeff Ovadya and Technicolor Experience Center’s virtual production supervisor John Root, the 30-minute podcast looks back at the early days of motion capture and how its evolution is now enabling the creation of augmented reality and virtual reality content.

La SAE entregará el Premio al Mejor Montaje en el

October 26, 2017, 11:56 AM

http://saeditores.org/Novedades/La-SAE-entregara-e...

La SAE entregará el Premio al Mejor Montaje en el 15˚ Festival Nacional de Cine de Tandil, que se llevará a cabo entre el 28 de octubre y el 4 de noviembre en dicha ciudad de la provincia de Buenos Aires. El jurado, integrado por Valeria Racioppi (SAE), Lucas Scavino (SAE) y Leandro Spatz (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes.

The A-List — Josh Earl, ACE (Deadliest Catch) an

October 26, 2017, 04:39 AM

https://www.youtube.com/watch?v=9ppB-wpj9oY

Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards. Kelley Dixon is known for her work on Breaking Bad (2008), Good Will Hunting (1997) and Better Call Saul (2015). She is a winner of the Outstanding Single-Camera Picture E...

How Collaborative Editing Makes Creatives More Cre

October 26, 2017, 04:38 AM

http://www.studiodaily.com/partners/collaborative-...

When it comes to the evolution of collaborative editing, Simon Haywood, Dell EMC Solutions Architect, Media and Entertainment, takes the long view. Haywood put in time as a satellite engineer for the BBC before joining Isilon, and he remembers when editing was an intuitive, linear process that resulted in a videotape that you could hold […] The post How Collaborative Editing Makes Creatives More Creative appeared first on Studio Daily.

What happens in Vegas (Blade Runner VFX)

October 26, 2017, 04:37 AM

https://vfxblog.com/2017/10/25/what-happens-in-veg...

In the third act of Blade Runner 2049 we arrive at a stark orange-y Las Vegas, now a wasteland where the replicant and Blade Runner K (Ryan Gosling) has sought out the old-school Blade Runner Deckard (Harrison Ford).

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.