It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2017, 09:49 AM
http://www.artofvfx.com/blade-runner-2049-richard-...
Richard Hoover has more than 25 years of experience in visual effects. He started at Dream Quest Images and then worked for The Walt Disney Company and Sony Pictures Imageworks. He joined Framestore in 2015. As a VFX supervisor, he took care of the effects of films such as ARMAGEDDON, REIGN OF FIRE, SUPERMAN RETURNS and BEAUTY AND THE BEAST.
October 25, 2017, 04:09 AM
http://www.fcp.co/final-cut-pro/2010-we-are-publis...
FCPX World at IBC 2017 was a great experience. For the third year in a row, the Spaces building next to the Amsterdam RAI was the epicenter of everything related to Final Cut Pro X at IBC. The Club Room at Spaces was converted to a pop-up television studio where high-profile professionals from all over Europe and the USA came to showcase their work with FCP X.
October 25, 2017, 04:08 AM
https://vfxblog.com/2017/10/23/how-blade-runner-20...
The ménage à trois between K (Ryan Gosling), his companion hologram Joi (Ana de Armas) and Mariette (Mackenzie Davis) in Denis Villeneuve’s Blade Runner 2049 is a stunningly realised sequence. It involves the real human Mariette interacting with K, while also ‘merging’ at times with Joi.
October 25, 2017, 04:08 AM
http://www.cartoonbrew.com/shorts/70-animators-ban...
Earlier this month, Universal’s live-action/cg hybrid Woody Woodpecker feature shot to no. 1 at Brazilian theaters, and, in its first three weeks, has grossed over $6 million in that country.
October 24, 2017, 12:15 PM
http://www.broadcastbeat.com/frame-io-launches-600...
Enter to win the ultimate video editor’s dream workstation; all entries unlock a 30-day trial of Frame.io Pro and Adobe® Creative Cloud® New York City, NY – October 24, 2017 – Frame.io, the workflow management platform for video teams, has collaborated with industry leaders to assemble the ultimate workstation for video editors. Besides showcasing an incredible line-up of ...
October 24, 2017, 12:15 PM
http://www.fcp.co/final-cut-pro/news/2009-xeffects...
Idustrial Revolution has just released a new set of plugins for FCPX based on animating thirds. XEffects Viral Video Thirds builds 'on trend' big, bright and dynamic videos. There's also a special launch price of $39.
October 24, 2017, 12:14 PM
http://lesterbanks.com/2017/10/quick-tip-tearing-f...
Marc Albrecht Shows the Two Mouse Clicks That You Need to Get FEM Cloth Objects to Tear in Side FX Houdini Some people have a real hard time making cloth tear in Houdini. So VFX The Post A Quick Tip for Tearing FEM Cloth in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks
October 24, 2017, 05:18 AM
http://designingsound.org/2017/10/nathan-smith-one...
Nathan Smith is Sound Design Supervisor at Dallas,Texas based Gearbox Software. He has worked in TV, films including “The King of Kong” and video games such as the Borderlands franchise. What brought him to my attention was a series of videos he produced demonstrating various boxes and gadgets he constructed to capture sound assets for his […]
October 24, 2017, 05:18 AM
http://postperspective.com/sound-netflixs-defender...
By Jennifer Walden Netflix’s series, The Defenders, combines the stories of four different Marvel series already on Netflix: Daredevil, Iron Fist, Luke Cage and Jessica Jones. In the new show, the previously independent superheroes find themselves all wanting to battle the same foe —a cultish organization called The Hand, Continue reading → October 23, 2017 The post The sound of Netflix’s The Defenders appeared first on Randi Altman's postPerspective.
October 24, 2017, 05:17 AM
http://postperspective.com/quick-chat-creating-gra...
Undefined Creative (UC) was recently commissioned by the United Nations Development Programme (UNDP) to produce a fresh package of event graphics for its Equator Prize 2017 Awards Ceremony. This project is the latest in a series of motion design-centered work collaborations between the creative studio and the UN, Continue reading → October 23, 2017 The post Quick Chat: Creating graphics package for UN’s Equator Prize ceremony appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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