It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2016, 04:30 AM
https://journaldunemonteuse.wordpress.com/2016/12/...
A Noël, on fait des cadeaux et on en reçoit. Le mien est arrivé un peu en avance et date du 5 décembre 2016. J’ai pu offrir Plus long le chat dans la brume à Walter Murch lors de sa … Lire la suite →
December 20, 2016, 04:30 AM
http://edaeditores.org/eda-presenta-16-indio/
¡Muchas gracias a tod@s los que nos acompañaron en nuestra función #16 de EDA PRESENTA! El pasado miércoles 30 de noviembre vibramos al ritmo del Indio Solari y los Fundamentalistas del Aire Acondicionado, con la proyección del documental de rock, INDIO, La Película. Luego de bailar y saltar junto al pogo más grande del mundo, […]
December 19, 2016, 05:20 PM
http://cinescopophilia.com/mtransition-shade-plugi...
Every editor needs a variety of tools to cope with countless clips with diverse looks, topics and characteristics. This innovative pack uses the mysteriousness of shadows to give you endless ways of shifting between two shots. The subtle darkness that shrouds your videos makes every edit less obvious and adds an enigmatic feeling to the composition. You can use it for any purpose you can imagine, whenever a little obscurity is needed, mTransition Shade is the best way to go.
December 19, 2016, 05:20 PM
http://cinescopophilia.com/editing-tips-two-camera...
Editing a two camera shoot can be a bit tricky for some. Thanks to Tim Grey and X-Rite Photo you can learn some handy tips and video workflow techniques for editing video footage from two cameras using the Adobe Premiere Pro NLE software platform.
December 19, 2016, 03:03 PM
http://www.creativeplanetnetwork.com/news/edit/fcp...
In the below video, Justin Brown of Primal Video lists his favorite things about both Adobe Premiere Pro and Apple Final Cut Pro X to help you figure out which NLE is right for you. As 4K Shooters' Vlady Radev notes, "One of the biggest strengths of Final Cut X is the way it handles 4K video files. You can seamlessly edit and play back 4K files in their native resolution on a wide range of the latest MacBook Pros, mainly due to the background rendering the NLE offers."
December 19, 2016, 11:19 AM
http://www.hollywoodreporter.com/behind-screen/why...
The crowd-pleasing opening of Damien Chazelle's La La Land — all that freeway traffic giving way to a musical number before frustrated drivers Mia (Emma Stone) and Sebastian (Ryan Gosling) are even introduced — wasn’t inevitable. The originally scripted opening was very different, and at one point in postproduction, the number was cut out of the movie, reveals the film’s editor, Tom Cross, who won an Oscar for Chazelle’s 2014 feature Whiplash.
December 19, 2016, 06:38 AM
http://www.fcp.co/final-cut-pro/articles/1906-new-...
If you were disappointed like us that old non-Thunderbolt Apple Cinema Displays didn't work, we might just have a solution. A simple cable swap around and our old 30" lit straight up from a new 15' MBP.
December 19, 2016, 06:37 AM
http://feedproxy.google.com/~r/norendercom/~3/bTSf...
Hoy presentamos nuestro nuevo curso Trapcode Particular para After Effects. Se trata de un curso […]
December 19, 2016, 06:37 AM
http://www.provideocoalition.com/art-of-the-cut-ro...
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on Lord of the Rings: Fellowship of the Ring. He also edited The Lovely Bones, all three Hobbit movies and, most recently, Rogue One: A Star Wars Story. And as an additional editor got to work with The post ART OF THE CUT with Jabez Olssen on editing “Rogue One” appeared first on ProVideo Coalition.
December 18, 2016, 05:44 PM
http://www.hollywoodreporter.com/behind-screen/how...
The magic that happens inside Hollywood's editing rooms often involves the ability to travel through time with a single cut. Fox Searchlight's Jackie and The Weinstein Co.'s Lion both use frequent flashbacks, while Fox's Hidden Figures shows the progression of time in more subtle ways, tracking a trio of female African-American mathematicians as they slowly gain the respect of their NASA peers during the 1960s space race. And then there's Denis Villeneuve's sci-fi drama Arrival, from Paramount, ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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